the Arts top 50 in 2013
The Australian lists the top 50 most influential people on the national arts scene this year:
http://www.theaustralian.com.au/top50/2013/the-audience-holds-the-power/story-fnh53dls-1226601890238
The Australian lists the top 50 most influential people on the national arts scene this year:
http://www.theaustralian.com.au/top50/2013/the-audience-holds-the-power/story-fnh53dls-1226601890238
SoundsLikeSydney is excited to announce the launch this week of our free monthly newsletter SoundsClassic. Our inaugural edition is packedwith news – we have the ‘wrap’ on Melbourne’s Ring cycle, musings on Christmas music, a Messiah quiz to challenge you, reviews of some of the many CDs released during 2013 in case you’re stuck for…
Violinist Anne-Sophie Mutter and composer John Williams have collaborated on a new release from Deutsche Grammophon, Across the Stars, available from today. Williams conducts this album of many of his beloved movie themes in stunning new adaptations written especially for his superstar violinist friend and collaborator Anne-Sophie Mutter. Recorded in Hollywood, Across the Stars will…
Pinchgut Opera’s recent brilliant performance of Monteverdi’s Vespers at Sydney’s City Recital Hall, was professionally filmed and recorded and is streaming now for unlimited viewing.
The May edition of SoundsClassic, our complementary monthly newsletter featuring the best of SoundsLikeSydney and of Classic Melbourne is out next week. Make sure you’re on our mailing list by subscribing from the top of our home page or our Facebook page. We’d love to hear your thoughts and we’d love you to tell your friends…
In the world of Paula Hollins, Abendmusik is ‘a method for making printed music lie flat on a stand’, and Abandonne is ‘What Pinkerton did to Buterfly’! These whacky definitions come from her new sunny yellow covered publication, Musical Malaproptionary: A dictionary of musical terms redefined humorously. Aimed at ‘music lovers, screwball musicians, irreverent iconoclasts…. and anyone with a…
What if….just once, the audience didn’t applaud at the end of a performance? Not because they weren;t appreciative, but because they were so moved, they wished to remain ‘in the moment’ and not disturb the lingering sounds as they soaked in……? A concert without applause would be very different to what we’re used to. Would…