The Hilliard Ensemble Bids Farewell At The Sydney Festival
The Hilliard Ensemble bids farewell with its appearances at the Sydney Festival.
The Ave Maria by Josquin des Pres is on their Sydney programme.
The Hilliard Ensemble bids farewell with its appearances at the Sydney Festival.
The Ave Maria by Josquin des Pres is on their Sydney programme.
Alleluia, a recording of motets by Russian soprano Julia Lezhneva, is released on March 8th by Decca, catalogue number 0289 478 5242 1. The motets by Vivaldi (In furore iustissimae irae, RV626 ), Handel (Saeviat Tellus Inter Rigores, HWV240) and Mozart (Exsultate Jubilate, K.165 ), include a world premiere recording of Niccolo Porpora’s In caelo stele clare fulgescant….
‘Fierce’ is word that aptly describes soprano Simone Kermes presently appearing in Fearless Baroque with the Australian Brandenburg Orchestra. She sings with a rare physicality discarding convention in her delivery of her dazzling technique, unconventional sounds and the quantums of energy she pours into her performances. In this video she sings the aria Son qual nave from…
October 22nd marked the 200th birth anniversary of Franz Liszt. Here’s one of his masterpieces played by Vladimir horowitz – the Consolation no 3 in D minor.
The Hilliard Ensemble joins the Australian Chamber Orchestra in their Sydney concerts this week. Comprising counter-tenor David James, tenors Rogers Covey-Crump and Steven Harrold and baritone Gordon Jones, the ensemble is a unique mix of male voices and one of the most respected in the world, with an impressive discography and a busy touring and performing schedule. Whilst they…
Verdi was born in a small village in the Duchy of Parma where the baptismal register of October 11th states that he was ‘born yesterday’. As days were sometimes counted as beginning at sunset, it is not clear whether he was born on the 9th or the 10th of October in 1813. Whichever way, it would be legitimate by now to celebrate…
“Baroque Duets” a new CD release, has a lot to say for itself. First and foremost, it is a superb compilation of Baroque vocal music, eminently listenable but away from the beaten track; it is also a historically informed and technically well executed performance by singers and instrumentalists on period instruments; it even contains a…