Anne Sofie von Otter review….
Murray Black of “The Australian” reviews Anne Sofie von Otter’s Sydney concerts:
Murray Black of “The Australian” reviews Anne Sofie von Otter’s Sydney concerts:
What if….just once, the audience didn’t applaud at the end of a performance? Not because they weren;t appreciative, but because they were so moved, they wished to remain ‘in the moment’ and not disturb the lingering sounds as they soaked in……? A concert without applause would be very different to what we’re used to. Would…
Sydney’s art lovers have been captivated by the six 16th century Flemish tapestries known as The Lady and the Unicorn, on display in the Art Gallery of New South Wales. Fashioned from wool and silk and recently cleaned and restored, the lissom blonde woman surrounded by her animal companions and ‘thousands’ of flowers in the…
Simone Young is in Brisbane to conduct the Australian Youth Orchestra. She comments on the Queensland state government’s slashing of music education in schools: http://www.theaustralian.com.au/arts/conductor-heats-up-over-axed-programs/story-e6frg8n6-1226436119693
The 2014 ARIA Fine Arts Awards were announced earlier today. Congratulations to ABC Classics which won all four of the Fine Arts Awards. The award for Best Classical Album was won by Compassion, a collaboration between composer Nigel Westlake, singer Lior and the Sydney Symphony Orchestra, conducted by Westlake. Compassion is a ‘Symphony of Songs’,…
Wednesday August 22nd 2012 is the sesquicentenary of the birth of Claude Debussy. Whilst the music world plans for the anniversaries next year for Britten, Verdi and Wagner, the acknowledgement of Debussy’s 150th birth anniversary has been distinctly underwhelming. Anthony Tommasini of the New York Times investigates: http://www.nytimes.com/2012/08/19/arts/music/debussys-150th-birthday-gets-little-notice.html?_r=1&ref=music
Peter Phillips, founder and director of the Tallis Scholars is a regular columnist for The Spectator. He recently posed the question whether creative genius is compatible with ‘niceness’ as a person and warns that even a conductor’s time on the podium is transient. Click here for the link.