Mozart’s Final Year
The last days of Wolfgang Amadeus Mozart abound in myth and mystery. Writer, broadcaster and lecturer Richard Wigmore unravels the events of Mozart’s final year in Gramophone Magazine.
The last days of Wolfgang Amadeus Mozart abound in myth and mystery. Writer, broadcaster and lecturer Richard Wigmore unravels the events of Mozart’s final year in Gramophone Magazine.
The 2013 winners of the ART Music Awards have been announced, acknowledging excellence in the creation, performance, education and presentation of Australian music. The awards are made by APRA AMCOS and the Australian Music Centre, and include contemporary art music, jazz and experimental music. At the pinnacle, the Award for Distinguished Services to Australian Music was presented to 85-year-old George Dreyfus…
An offer not to miss! Our friends at The Marais Project have generously offered two double passes to readers of SoundsLikeSydney for their concert The French Flute on Sunday October 16 at 3 pm at the Sydney Conservatorium of Music. If you’d like to be in the running for these double passes, email info@soundslikesydney.com.au by 5 pm…
Maxim Vengerov was appointed Menuhin Professor of violin at the Royal Academy of Music in London, earlier this year. He has concerts coming up in Moscow, London, Baku, Lausanne and Munich – all in the next 2 weeks. Click here to read his interview with Andrew Clark of the Financial Times.
Since recording the world premiere of Peggy Glanville Hicks’ never performed opera Sappho, Australian conductor Jennifer Condon has set her sights on bringing to life the opera on stage. She will visit Sydney in July from her present home in Hamburg, in the next step of this project. If Jennifer Condon’s single mindedness in making…
For the third consecutive year, the city of New York has been dotted with 88 pianos (equalling the number of keys on a piano), offering anyone who is taken by the urge, to sit down and tickle the ivories. An initiative of Sing for Hope, a not for profit organisation, the pianos will be moved…
Maurice Ravel’s Bolero, written in 1928 and one of the world’s most recognisable pieces of classical music is out of copyright, and lies in the public domain, which means it is much more likely to be heard in a variety of contexts. Dreaded by snare drum players the world over, Ravel’s Bolero came to popular attention…