The future of arts leadership in Australia
What does it take to lead a successful performing arts organisation – and is Australia grooming the next generation of leaders?
Matthew Westwood reports in today’s The Australian.
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Review fom the NYTimes: The ACO at Carnegie Hall
“Intensity and virtuosity are the hallmarks of this orchestra”. Read the New York Times review of the Australian Chamber Orchestra’s performance with soprano Dawn Upshaw at Carnegie Hall early this week. http://www.nytimes.com/2012/05/02/arts/music/australian-chamber-orchestra-at-carnegie-hall.html?_r=1&ref=music Benefactors, a Stradivarius and The Glide build the bottom line for the ACO: http://www.smh.com.au/entertainment/music/rare-violin-lifts-aco-bottom-line-20120502-1xz60.html http://www.theaustralian.com.au/arts/acos-subscription-switch-wins-surplus/story-e6frg8n6-1226345172062
Christian Li Releases Single Ahead Of Album And Concert Debut
Wunderkind violinist Christian Li, just 13 years old, will release his debut album in August 2021 on the Decca Classics label. Featured on this album is the classic Meditation from the opera Thaïs by Jules Massenet, which has been released as a single.
Britten in rehearsal
He was an exacting taskmaster, as this invaluable archival footage demonstrates. Benjamin Britten is seen rehearsing his choral overture The Building of the House for its premiere in 1967. Click here to view.
A new principal conductor for the waso
The West Australian Symphony Orchestra has appointed a new Principal Conductor to succeed Paul Daniel who ends his contract next year. Asher Fisch is no stranger to Australia having worked here in 2004, conducting Adelaide’s production of The Ring. Since 2007, Asher Fisch has been Seattle Opera’s Principal Conductor. He is a former music director…
Hiromi Omura In Extra Performances Of ‘Butterfly’
Japanese soprano Hiromi Omura returns to the Sydney Opera House to perform the title role in five extra performances of Opera Australia’s production of Madama Butterfly in 2015. Ms Omura was an impressive ‘Butterfly’ when she first sang the role in Sydney in Moffatt Oxenbould ‘s 2012 production. She returned in 2013 to sing the role…
Alex Ross On Streaming
“What is the point of having amassed, say, the complete symphonies of the Estonian composer Eduard Tubin (1905-82) when all eleven of them pop up on Spotify, albeit in random order?” New York Times music critic Alex Ross looks at the pros and cons of listening to the classics online.