A $400 million upgrade is planned for the Sydney Opera House, reports Matthew Westwood in The Australian.
Does this plan place too much competition on the venue to live up to expectations as a tourist facility as well as a centre for the arts and its ensembles in residence?
It was July 2009 in Bali’s hill town of Ubud, tucked in by the Ayung river gorge. The wild clanging of a goat’s bell from the Greek island of Mykonos shattered the tranquility of tropical bird calls and the cascading river. Jennifer Condon was celebrating. The emerging conductor was achieved a nine year ambition to…
Utzon Music 2023 will feature 11 performances by international and Australian artists in the intimate Utzon Room of the Sydney Opera House.
The COVID-19 pandemic has created intense financial hardship for artists, crew and music workers from all genres. Many were the first to lose their jobs and income and this sector could well be the last to recover. Support Act is a charity providing services to musicians, music workers and crew including Crisis Relief grants, mental…
This April, Limelight Magazine has published a ranking of Australia’s orchestras. “Australia’s six major orchestras are frequently described as “world class”, but how do they fare in their own backyard? We pit the state orchestras against each other in a blind-listening test to see which band would emerge king of the concert hall.” Limelight Magazine. Coincidentally…
Violinist Riccardo Minasi is soloist and Guest Director with the Australian Brandenburg Orchestra in its season of ‘Glorious Baroque’ which opened last weekend. Here are four photographs from the opening concerts. ‘Glorious Baroque’ continues on November 2nd, 4th and 5th. See also: http://soundslikesydney.com.au/shows/possum-goes-for-baroque-2/5310.html and http://www.smh.com.au/entertainment/music/an-accomplished-pastiche-with-notes-of-a-fine-merlot-20111030-1mqan.html
Pianist Steven Osborne presents his insights into Olivier Messien’s Quartet for the End of Time, a landmark work for piano, clarinet, violin and cello, composed whilst Messiaen was an inmate of a Nazi prisoners of war camp and premiering in that camp in 1941, performed by Messiaen and three other prisoners.