The Unbeatable Power of Words and Music
Whilst music and words by themselves have the power to evoke myriad emotions, conductor Mark Wigglesworth writes about the unbeatable power of combining words with music:
Whilst music and words by themselves have the power to evoke myriad emotions, conductor Mark Wigglesworth writes about the unbeatable power of combining words with music:
Opera buffs! If you’re planning to escape Sydney’s unseasonably cold weather and are heading north for the summer, here is an opportunity to hear one of Sydney’s most successful singers and a lauded exponent of Rossini and the bel canto repertoire. Sydney audiences are yet to hear the exceptional talent of soprano Jessica Pratt –…
Elysian Fields, Australia’s only electric viola da gamba ensemble, broadcasts on Melbourne Digital Concert Hall (MDCH) in a program that draws on its second CD, FIKA (pron. ‘fee-ka’) of features Scandinavian folk music and jazz along with original music inspired by the Far North.
Imagine the excitement on the plane as the singers of the Gondwana Indigenous Children’s Choir (GICC) take off to Vienna in May, on the first leg of Vienna – Cairns – Sydney, a two-stage collaboration between the two flagship children’s choirs of Austria and Australia. In 2017, Austria’s legendary Vienna Boys Choir and Australia’s Cairns…
Sydney audiences are by and large generous in their applause even if they don’t approve of the performer or the production. ‘Boos’ are rarely, if ever heard, sometimes tongue-in-cheek, when the villian of the piece takes his curtain call. The most emphatic expression of audience disapproval is to leave at interval. Other ‘houses’ are different. A new…
Natalie Aroyan, soprano and Principal Artist with Opera Australia has been awarded the prestigious Harding Miller Foundation Opera Scholarship 2019, receiving the sum of $30,000 over two years to support study and travel in Australia or overseas. Opera lovers will be familiar with Aroyan’s engaging performances which include the title role in Aida, Desdemona in Otello, Mimi in La Bohéme, Marguerite in Faust, Amelia…
“We’re righting a wrong to present composers whose works are de rigeur in the rest of the world as a festival event .” A potent statement from Jack Symonds, conductor and music director of Sydney Chamber Opera about the double-bill the company is presenting for the Sydney Festival. Under the collective title His Music…