The sounds of sonic crystal
An innovative synthesis of technology and nature. Is this the way forward for new music?
An innovative synthesis of technology and nature. Is this the way forward for new music?
Next week, Pinchgut Opera presents its much awaited and ‘top of the range’ annual offering for 2012, Rameau’s Castor and Pollux. The soloists have been Sydney for nearly a month and work with the ensemble of singers and instrumentalists has begun. Antony Walker is back to conduct the performances, with his Co-Artistic Director at Pinchgut, Erin Helyard at the harpsichord. The costumes…
Memories of Wanda Landowska, an exhibition of the life and work of the legendary exponent of Bach’s keyboard works, is on display at the Bachhouse, in Eisenach, the town of his birth. Established in 1906, the Bachhouse was the first museum to be dedicated to J S Bach, although it is believed that he was born not in this house,…
Gondwana Choirs invites choral educators of all ages and levels of experience to step behind the rehearsal room door and get to know their artists, their expertise and their passion for their area of specialty, in small one hour interactive zoom classes from the comfort of home. The weekly 1 hour workshops are limited to…
Arts Minister Simon Crean has made two new appointments to the Australia Council for the Arts as a review calls for its reform: http://www.theaustralian.com.au/arts/how-to-finance-a-cultural-utopia/story-e6frg8n6-1226362737526 http://www.theaustralian.com.au/arts/appointments-follow-a-review-of-the-australia-council/story-e6frg8n6-1226362844473
This is a fascinating feature from the New York Times about what makes the Vienna Philharmonic sound so unique. Maestro Zubin Mehta gives his views along with some of the musicians from the orchestra. For a start, the horns and the oboes in the orchestra are of the Viennese type and distinct from those played…
Review In Search of Haydn screening at the Hayden Orpheum and Roseville cinemas: http://www.smh.com.au/entertainment/movies/in-search-of-haydn-20120314-1v39p.html John Bell talks about the competition for opera from HD cinema productions: http://www.smh.com.au/entertainment/opera/bell-gives-stravinsky-a-rakeover-20120315-1v82g.html and read Peter McCallum’s review of The Song Company’s Love in Venice http://www.smh.com.au/entertainment/music/irresistible-allure-of-sensuality-with-a-light-original-approach-20120315-1v82u.html