of mice and men
Matthew Westwood previews opera Australia’s upcoming production.
http://www.theaustralian.com.au/news/arts/american-dreams/story-e6frg8n6-1226089024397
Matthew Westwood previews opera Australia’s upcoming production.
http://www.theaustralian.com.au/news/arts/american-dreams/story-e6frg8n6-1226089024397
BEST ORCHESTRAL PERFORMANCE Sibelius: Symphonies Nos. 1 & 4 Osmo Vänskä, conductor (Minnesota Orchestra)/ Label:BIS Records BEST OPERA RECORDING Adès: The Tempest Thomas Adès, conductor; Simon Keenlyside, Isabel Leonard, Audrey Luna & Alan Oke; Jay David Saks, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)/ Label: Deutsche Grammophon BEST CHORAL PERFORMANCE…
Piers Lane gave a mesmerising performance of Chopin by Candlelight in Sydney last week as part of a national tour. The transcendental experience was built on three elements – Piers Lane’s understated but brilliantly virtuosic style and sensitive playing, the achingly beautiful music of Chopin and the simple ambience created by the minimal lighting in…
An engaging new work by Sydney based Australian composer Andrew Schultz has been included on a recently released album, Winter’s Warmth, by the American label, Navona. Schultz’s Falling Man, Dancing Man (opus 68) is a three-movement concerto for orchestra and solo pipe organ. It was commissioned by Symphony Australia and written and premiered in 2005…
La Scala + Barenboim + Kaufmann + Garanca + Baltsa + Pape + La Scala Choir and Orchestra = a not to be missed performance of Verdi’s Requiem. Available till October 26th 2013 on SBS On Demand http://www.sbs.com.au/ondemand/video/52400195958/Verdi-Requiem
Handa Opera on Sydney Harbour returns in 2017 with a reprise of Bizet’s Carmen first seen on the harbour in 2013. The production will run from March 24 to April 23, 2017. Produced by Gale Edwards, the sets are designed by Brian Thomson and costumes by Julie Lynch. The cast for this production has yet to…
Another ‘Movember’ has come and nearly gone with thousands of men nursing luxuriant and not- so- luxuriant hirsute additions to their profiles. Had they been alive, no doubt some composers would have scored handsomely in the Movember stakes —