Casting quotas in opera
OA artistic director Lyndon Terracini believes that quotas on the hiring of non-Australian singers should be lifted.
OA artistic director Lyndon Terracini believes that quotas on the hiring of non-Australian singers should be lifted.
Opera Australia today launches its 2015 Sydney season with a core of classics performed by a stable of overseas and home-grown masters of their roles and creatives. The programme, it says is “uniquely audience-focused”, “highly accessible” and has the aim of further increasing audience numbers. Speaking to SoundsLikeSydney, Opera Australia’s Artistic Director Lyndon Terracini affirms…
The Nose Opera Australia Joan Sutherland Theatre, Sydney Opera House, February 22, 2018 Written by Deen Hamaker Even by the standards of contemporary 21st century opera, Dmitri Shostakovich’s Hoc, here performed in English translation as The Nose, is out there. Way way out there. Musically the piece is a heady mix of jarring styles from…
Composer Philip Glass is interviewed this week by The Guardian’s Laura Barnett. He talks about fame, inspiration and people he would like to work with. Click here to read.
Preview Matthias Goerne’s tour of Australia: http://www.smh.com.au/entertainment/music/sublime-fusion-of-song-and-voice-20110925-1krky.html
For Sydney cellist Anthony Albrecht, life is about to undergo an irreversible change. In a few weeks he leaves Australia, to undertake a Master’s degree in historical performance at the Juilliard School of Music in New York. “I’m just trying to become an adaptable Renaissance cellist who is capable of performing at the highest…
Flowers Still Bloom is a new album from guitarist, composer and creative educator, Michelle Nelson. It is the result of her experiences in the midst of Melbourne’s first lockdown, encountering what so many other musicians did – the lack of work and isolation. It gave her the time and space to contemplate life as we…