ENO shuns the big screen
The move to the cinema screen is not for the English National Opera says its artistic director John Berry:
The move to the cinema screen is not for the English National Opera says its artistic director John Berry:
Flautist Lamorna Nightingale is a core member of Ensemble Offspring, a dynamic and popular New Music ensemble in Sydney. This Sunday, Ensemble Offspring presents Sizzle an informal presentation of a spectrum of music from art music to pop and a bit of everything in between. In this feature, Lamorna Nightingale writes of the universal appeal of…
Pianist and Co-Artistic Director of Omega Ensemble Maria Raspopova, has released an album of Prokofiev’s Visions fugitives opus 22. The 20 movement cycle of piano pieces was recorded in May 2018 at the Cranbrook Recording Studio, produced by Philip Powers with recording engineer and mastering by Bob Scott and editing by Jonathan Palmer. Click here to listen/buy
For some, the names of JS Bach and Glenn Gould are inextricably linked. As we commemorate Gould’s birth anniversary on September 25th 1932, The Guardian takes a comprehensive look at his legacy with insights form some of today’s foremost pianists: http://www.guardian.co.uk/music/2012/sep/20/glenn-gould-wilfully-idiotic-genius
Sydney opera fans will remember baritone Morgan Pearse who is presently in Houston, engaged in the Houston Grand Opera’s Studio Programme which offers emerging singers with exceptional talent the opportunity to be a working member of the prestigious opera company whilst furthering their training. Morgan has been singing the role of Prince Yamadori in the…
Hosted by soprano Deborah Voigt, the Metropolitan Opera’s production of Jacques Offenbach’s opéra fantastique Les contes d’Hoffmann (The Tales of Hoffman) screens nationally from April 11, 2015. Starring the Italian tenor Vittorio Grigolo as Hoffmann, the tortured poet, the production is directed by Broadway director Bartlett Sher. Thomas Hampson will add a new role to his extensive repertory…
The latest showcase for opera has moved from the high definition images of the cinema to live streaming off the internet. the first opera to be streamed was a performance of Rossini’s La cambiale di matrimonio from Vienna’s Kammeroper, on Sunday 21st October, and included Australian baritone Ben Connor. More at: http://www.huffingtonpost.com/2012/10/21/vienna-platform-launches-_0_n_1997169.html?utm_hp_ref=arts