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Album Review: Airs sérieux & à boire/ Les Épopées
Specialist French Baroque ensemble Les Épopées, directed by Stéphane Fuget has recently released a CD, Airs sérieux & à boire. These songs composed by Marc-Anoine Charpentier continue the series of discs for this recording house Chateau de Versailles.
Review: Grazie in Grazia/ Bach Akademie Australia
The best Bach Akademie Australia voices that I have heard in their sound and narrative ability. The instrumentalists as ever were exceptional.
Concert Review: Sarah Grunstein/ Beethoven, Brahms And Schumann
Sarah Grunstein, Beethoven, Brahms And Schumann Utzon Room, Sydney Opera House 23, September, 2018 Based on the concept of improvisation, pianist Sarah Grunstein performed a program of 19th century masterworks in the Utzon Room of the Sydney Opera House. It was a creative pairing of two late works – Beethoven’s Sonata no 30 in E…
Concert Review: The Queen Of Heaven/The Sixteen
It’s a curious fact that the most revered exponents of early Italian choral music today, are not the Italians but the English. In January 2011, Gramophone Magazine published a list of what it claimed were the top 20 choirs in the world. Nominated in fourth place was Harry Christophers’ ensemble The Sixteen, who performed their…
Das Rheingold in Brisbane reviewed
If you didn’t make it to Brisbane to hear Simone Young conduct the Hamburg State opera and Philharmonic Orchestra in concert performnce of Das Rheingold, here’s a review by Matin Buzacott for The Australian. http://www.theaustralian.com.au/arts/music/wagner-played-with-fantastic-power-and-great-restraint/story-fn9d2mxu-1226457251400
CD Review: Anne-Sophie Mutter, Dvorak
Anne-Sophie Mutter’s virtuosity and dazzling technique liberate her to give full vent to poignancy and passion in her debut recording of Dvorak’s violin music with the Berlin Philharmonie, her first collaboration with this orchestra in 30 years. Making his first appearance as conductor with the Berliner Philharmoniker and Deutsche Grammophon is Manfred Honeck, like…
Album Review: Airs sérieux & à boire/ Les Épopées
Specialist French Baroque ensemble Les Épopées, directed by Stéphane Fuget has recently released a CD, Airs sérieux & à boire. These songs composed by Marc-Anoine Charpentier continue the series of discs for this recording house Chateau de Versailles.
Review: Grazie in Grazia/ Bach Akademie Australia
The best Bach Akademie Australia voices that I have heard in their sound and narrative ability. The instrumentalists as ever were exceptional.
Concert Review: Sarah Grunstein/ Beethoven, Brahms And Schumann
Sarah Grunstein, Beethoven, Brahms And Schumann Utzon Room, Sydney Opera House 23, September, 2018 Based on the concept of improvisation, pianist Sarah Grunstein performed a program of 19th century masterworks in the Utzon Room of the Sydney Opera House. It was a creative pairing of two late works – Beethoven’s Sonata no 30 in E…
Concert Review: The Queen Of Heaven/The Sixteen
It’s a curious fact that the most revered exponents of early Italian choral music today, are not the Italians but the English. In January 2011, Gramophone Magazine published a list of what it claimed were the top 20 choirs in the world. Nominated in fourth place was Harry Christophers’ ensemble The Sixteen, who performed their…
Das Rheingold in Brisbane reviewed
If you didn’t make it to Brisbane to hear Simone Young conduct the Hamburg State opera and Philharmonic Orchestra in concert performnce of Das Rheingold, here’s a review by Matin Buzacott for The Australian. http://www.theaustralian.com.au/arts/music/wagner-played-with-fantastic-power-and-great-restraint/story-fn9d2mxu-1226457251400
CD Review: Anne-Sophie Mutter, Dvorak
Anne-Sophie Mutter’s virtuosity and dazzling technique liberate her to give full vent to poignancy and passion in her debut recording of Dvorak’s violin music with the Berlin Philharmonie, her first collaboration with this orchestra in 30 years. Making his first appearance as conductor with the Berliner Philharmoniker and Deutsche Grammophon is Manfred Honeck, like…
Album Review: Airs sérieux & à boire/ Les Épopées
Specialist French Baroque ensemble Les Épopées, directed by Stéphane Fuget has recently released a CD, Airs sérieux & à boire. These songs composed by Marc-Anoine Charpentier continue the series of discs for this recording house Chateau de Versailles.
Review: Grazie in Grazia/ Bach Akademie Australia
The best Bach Akademie Australia voices that I have heard in their sound and narrative ability. The instrumentalists as ever were exceptional.
Concert Review: Sarah Grunstein/ Beethoven, Brahms And Schumann
Sarah Grunstein, Beethoven, Brahms And Schumann Utzon Room, Sydney Opera House 23, September, 2018 Based on the concept of improvisation, pianist Sarah Grunstein performed a program of 19th century masterworks in the Utzon Room of the Sydney Opera House. It was a creative pairing of two late works – Beethoven’s Sonata no 30 in E…
Concert Review: The Queen Of Heaven/The Sixteen
It’s a curious fact that the most revered exponents of early Italian choral music today, are not the Italians but the English. In January 2011, Gramophone Magazine published a list of what it claimed were the top 20 choirs in the world. Nominated in fourth place was Harry Christophers’ ensemble The Sixteen, who performed their…
Das Rheingold in Brisbane reviewed
If you didn’t make it to Brisbane to hear Simone Young conduct the Hamburg State opera and Philharmonic Orchestra in concert performnce of Das Rheingold, here’s a review by Matin Buzacott for The Australian. http://www.theaustralian.com.au/arts/music/wagner-played-with-fantastic-power-and-great-restraint/story-fn9d2mxu-1226457251400
CD Review: Anne-Sophie Mutter, Dvorak
Anne-Sophie Mutter’s virtuosity and dazzling technique liberate her to give full vent to poignancy and passion in her debut recording of Dvorak’s violin music with the Berlin Philharmonie, her first collaboration with this orchestra in 30 years. Making his first appearance as conductor with the Berliner Philharmoniker and Deutsche Grammophon is Manfred Honeck, like…