Calming The ‘Ca-cough-ony’
Corinna Da Fonseca-Wollheim of the New York Times, writes about this form of ‘high-culture hooliganism’.
Corinna Da Fonseca-Wollheim of the New York Times, writes about this form of ‘high-culture hooliganism’.
Omega Ensemble has a new release on ABC Classics, featuring an all Mozart programme recorded in concert at Sydney’s City Recital Hall. The ensemble is conducted by Paul Meyer, clarinet with bassoonist Ben Hoadley, performing Mozart’s classic Symphony No. 40 with his Clarinet and Bassoon Concertos. The tracks: Mozart: Clarinet Concerto in A Major, K. 622/ Mozart: Bassoon Concerto in…
Sir Neville Marriner, founding director of the Academy of St Martin in the Fields orchestra turned 90 earlier this month. Believe it or not he apparently was beaten for ‘over- gesticulating’! He looks back on his career in this interview with Stuart Jeffries of The Guardian.
This compelling 2 hour documentary is available on SBS at the link below until 3.15 pm on November 30th, 2013. Centred around the creation of Britten’s last opera Death in Venice, it contains footage of Britten, his colleagues and carers at work and being interviewed, as well as the health issues that led to his death in…
Deutsche Grammophon has released a recording of highlights from the competition winning recitals of pianist Seong-Jin Cho, the 21-year-old South Korean pianist who recently claimed first place in the 17th International Chopin Piano Competition held in Warsaw. Adjudicators at this year’s competition included Martha Argerich, Philippe Entremont, Garrick Ohlsson and Yundi. Born in Seoul, South Korea, on 28…
An engaging new work by Sydney based Australian composer Andrew Schultz has been included on a recently released album, Winter’s Warmth, by the American label, Navona. Schultz’s Falling Man, Dancing Man (opus 68) is a three-movement concerto for orchestra and solo pipe organ. It was commissioned by Symphony Australia and written and premiered in 2005…
“…Whilst metadata and audio quality have been the burning issues for classical journalists and listeners, it’s the economics of streaming that has been alarming certain independent specialist classical record companies. In fact, as far as they are concerned, streaming poses unique and far greater problems for the classical industry than it does for the pop…