Concert Review 2: Britten’s ‘War Requiem’/Sydney Symphony/Ashkenazy
……and this from Murray Black in The Australian.
……and this from Murray Black in The Australian.
Oxana Shevchenko, Sydney International Piano Competition of Australia Verbrugghen Hall, Sydney Conservatorium of Music, 14 April, 2019 Written by Paul Bennett With a slightly bowed head and a confident walk without hint of strut or swagger, Oxana Shevchenko is all about the music. She welcomes her audience in the manner of a genial hostess with…
The Sydney Chamber Choir, the Muffat Collective and four vocal soloists are simply magnificent in their concert entitled Mozart’s Requiem.
Harpist Jacinta Dennett’s solo album Fable features the music of female Australian composers whose lives and work span more than six decades. highlighting the versatility of the harp and its long- overlooked potential as a solo instrument. Dennett is an able performer and makes a serious case for some pieces to garner more attention than they have in the past.
Music critic for the SMH, Peter McCallum reviews the recent Sydney performance by the King’s singers: http://www.smh.com.au/entertainment/music/welltailored-sound-and-gentle-parody-make-a-right-royal-treat-20120220-1tjgp.html
“A glorious mastery over these sometimes-troublesome instruments” says Peter McCallum in the Sydney Morning Herald. http://www.smh.com.au/entertainment/music/academy-of-ancient-music-sara-macliver-and-co-bring-clarity-and-comeliness-20131110-2x9m1.html …..and Graham Strahle reviews the Adelaide concert for The Australian http://www.theaustralian.com.au/arts/affectionately-yours-egarr-keeps-academys-ancient-history-alive/story-e6frg8n6-1226756826169
It is a constant matter of wonderment to me when I see grown men and women musicians performing on instruments that seem hardly big enough to convey their virtuosity. Yet, the musician turns the instrument into a giant of expression and mandolin player Avi Avital’s opening concert with the Australian Brandenburg Orchestra was a night…