Diana Doherty and the St Lawrence String Quartet
The SMH reviews Musica Viva’s presentation of Diana Doherty with the St Lawrence String Quartet. They perform again at the City Recital Hall on Saturday April 21st at 2 pm.
The SMH reviews Musica Viva’s presentation of Diana Doherty with the St Lawrence String Quartet. They perform again at the City Recital Hall on Saturday April 21st at 2 pm.
Music of the Commonwealth is creating new works which entertain and broaden the depth and breadth of technique and repertoire for saxophone and piano.
Sarah Brightman’s eleventh studio album Dreamchaser is a diverse mix of songs which represent well her description as a ‘classical crossover’ artist. The 11 tracks on the CD (Universal 3732715) take in a variety of styles from the more traditional Song of India by Rimsky-Korsakov, and the contemporary minimalism of the Lento è Largo of…
Turning twenty-nine next month, pianist Yuja Wang has released her sixth recording with Deutsche Grammophon, Yuja Wang: Ravel. On it she performs Maurice Ravel’s two piano concertos – the G major and the Concerto for the Left Hand in D major. The palate cleanser between these two is Gabriel Fauré’s Ballade in F# minor for…
Czech Fantasy, Orava Quartet, Utzon Room, Sydney Opera House, 26 October, 2018. Written by Ria Andriani Performing in the Opera House is a highlight in any musician’s tour. The Orava Quartet’s Utzon Room performance of Czech Fantasy was just that, not just for them but for their audience as well. Completing their debut Australian tour, they’re…
In her own words, “Schumann and Schubert are central contenders for my heart”, and thus it was that these composers formed the core of the programme which pianist Imogen Cooper CBE, performed during her present tour for Music Viva. Speaking before the second half of her concert in Sydney this week, Cooper observed that…
Don Pasquale – Gaetano Donizetti Opera Australia , 18 July 2013 When Donizetti wrote Don Pasquale for Paris in 1841, it was an immediate success. Within six months it had been produced in Milan, Vienna, Brussels and London and it has remained one of the most popular comic operas ever since. So it is surprising…