Domingo’s 137th operatic role!
At the age of 70, Placido Domingo takes yet on another new role – Rigoletto! The Australian reports on this interview with the Times of London.
At the age of 70, Placido Domingo takes yet on another new role – Rigoletto! The Australian reports on this interview with the Times of London.
Following the ENO’s announcement of a plan to encourage a relaxed dress code for opera goers, Andrew Mellor argues that it’s ‘much ado about nothing’. After all, going to the races seems to demand the observation of a costly and mysterious dress code that doesn’t deter attendance. http://www.gramophone.co.uk/blog/the-gramophone-blog/stop-telling-us-what-to-wear-for-opera
Soprano Nicole Car has withdrawn from the January 2017 performances of La Bohème. The role of Mimi will be sung by the Italian soprano Mariangela Sicilia. Sicilia made her operatic debut in 2009 as Gretel in Humperdinck’s Hänsel und Gretel. Prior to her Sydney appearance, she will be singing the role of Sophie in Werther at the Teatro…
There are changes afoot in the Concert Hall of the Sydney Opera House, aimed at improving the acoustic. More at: http://www.theaustralian.com.au/arts/opinion/acoustic-alterations-at-the-opera-house-must-retain-the-architectural-harmony-of-the-hall/story-fn9n9z9n-1226420429346 What’s the obsession with expecting musicians to have the stamina of an athlete, the technique of the possessed and the looks of a deity? http://www.theaustralian.com.au/arts/review/making-beautiful-music/story-fn9n8gph-1226416992126 Review the Australian Chamber Orchestra’s current touring…
In 2015, Ensemble Offspring is offering a rare opportunity to two composers and two performers to become a part of their mentoring programme, Hatched Academy. Designed to provide first-hand experience to emerging Australian artists, the programme draws on the skills and expertise of the Ensemble’s Artistic Directors, Damien Ricketson and Claire Edwardes, representing the perspectives…
Last month, the second bi-ennial Synaesthesia festival was held at the Museum of Old and New Art in Hobart (MONA). This ability to experience sound through a different sensory modality seems to be not as rare as once thought and fascinates scientists and musicians alike. Journalist and synaesthete Holly Williams delves into her own experiences…
Carl Vine AO has been appointed Patron of drumming ensemble Taikoz and of percussion ensemble Synergy. Carl Vine is one of Australia’s best known and frequently composers. He is also Artistic Director of Musica Viva, The Huntington Music Festival and a Senior Lecturer in Composition at the Sydney Conservatorium of Music. He has enjoyed…