ENO shuns the big screen
The move to the cinema screen is not for the English National Opera says its artistic director John Berry:
The move to the cinema screen is not for the English National Opera says its artistic director John Berry:
Oranges under the Full Moon: Chamber Music by Paul Stanhope is a new release on ABC Classics, available tomorrow. A renowned composer of choral works, this is Paul Stanhope’s debut album of chamber works. Paul Stanhope’s choral writing was influenced by his time as Musical Director of Sydney Chamber Choir. This album presents his work…
Our friends at Elysian Fields, Australia’s innovative electric gamba ensemble are offering readers of SoundsLikeSydney two double passes to their concert on Thursday October 10, 8.30 pm at Foundry616, 616 Harris St, Ultimo. “Electric gamba band Elysian Fields presents a uniquely configured line up of saxophone, voice/violin, electric viola da gamba, piano, bass guitar and…
The Australian Brandenburg Orchestra’s new CD A Very Brandenburg Christmas, is a live recording of its popular 2014 Noël! Noël! annual Christmas concert at Sydney’s City Recital Hall. With the 2015 Noël! Noël! series expanded to include a new venue and an additional concert, the release of A Very Brandenburg Christmas is timely addition to the…
Does opera have to develop a two tier format to attract new audiences whilst continuing to present the art form in its purest sense to traditional opera lovers? The current productions of The Marriage of Figaro and The (abbreviated) Magic Flute have generated some very strong opinions and audience reactions. Opera Australia CEO Adrian Collette talks to…
Teddy Tahu Rhodes, Australia’s favourite baritone, returns with his first solo album in four years, I’ll Walk Beside You This new album songs from Australia, Scotland, Germany and America, as well as two Maori songs from Rhodes’ homeland, New Zealand in gorgeous arrangements by the Southern Cross Soloists, one of Australia’s most formidable chamber music ensembles…
TORRID NATURE SCENES, is an album of chamber works from Australian composer Nicholas Vines which presents a series of musical landscapes that instill both anxiety and ebullience in the listener. Through his innovative use of woodwinds, voice, and chamber ensemble, Vines – lauded for his “crackling style” (NewMusicBox) and called “compellingly original” (Boston Phoenix) and…