‘First Stones’ reviewed
Check out this review of nine new works presented by Halcyon:
Check out this review of nine new works presented by Halcyon:
Peter McCallum reviews the Australian World Orchestras concert for the Sydney Mornng Herald “……there was something about the event….. that allowed players to reach into the depth of their musicianship and draw out phrases of the keenest shape and freshest expression.” http://www.smh.com.au/entertainment/music/orchestra-soars-to-another-world-20131006-2v27a.html
Maxim Vengerov, violin and Roustem Saitkoulov, piano Musica Viva 70th Anniversary Gala Recital Tour Concert Hall, Sydney Opera House December 11, 2015 There is something enigmatic about Maxim Vengerov in performance. His powerful build seems at odds with the fragility of the 1727 ex-Kreisler Stradivari tucked under his chin and the slender bow he glides…
Don Pasquale – Gaetano Donizetti Opera Australia , 18 July 2013 When Donizetti wrote Don Pasquale for Paris in 1841, it was an immediate success. Within six months it had been produced in Milan, Vienna, Brussels and London and it has remained one of the most popular comic operas ever since. So it is surprising…
I Fagiolini, the British vocal ensemble directed and conducted by Robert Hollingworth, celebrates its thirtieth anniversary with a new recording, Amuse-Bouche (Decca Classics 478 9394), a 29 track collection of ‘French choral delicacies’ from the late 19th and early 20th centuries, released in April 2016. To highlight the Australian connections, I Fagiolini toured Australia in 2015 for Musica…
Halcyon presents a captivating chamber music program for voice, cello and piano by Australian composers Andrew Schultz and Rosalind Page, performed by soprano Alison Morgan, cellist Geoffrey Gartner and pianist Jo Allan. The concert includes To the Evening Star, a song cycle by Schultz, that reflects on the creative inner life, from deep longing, through whimsy,…
In April 2015, there was a landmark performance of Philip Glass’s Twenty Études for Piano at London’s Barbican Centre. The composer handpicked four pianists to perform with him, effectively anointing them as exponents of his art. One of these pianists was Vikingur Ólafsson, a brilliant young musician from Iceland. It is this repertoire that Ólafsson…
Peter McCallum reviews the Australian World Orchestras concert for the Sydney Mornng Herald “……there was something about the event….. that allowed players to reach into the depth of their musicianship and draw out phrases of the keenest shape and freshest expression.” http://www.smh.com.au/entertainment/music/orchestra-soars-to-another-world-20131006-2v27a.html
Maxim Vengerov, violin and Roustem Saitkoulov, piano Musica Viva 70th Anniversary Gala Recital Tour Concert Hall, Sydney Opera House December 11, 2015 There is something enigmatic about Maxim Vengerov in performance. His powerful build seems at odds with the fragility of the 1727 ex-Kreisler Stradivari tucked under his chin and the slender bow he glides…
Don Pasquale – Gaetano Donizetti Opera Australia , 18 July 2013 When Donizetti wrote Don Pasquale for Paris in 1841, it was an immediate success. Within six months it had been produced in Milan, Vienna, Brussels and London and it has remained one of the most popular comic operas ever since. So it is surprising…
I Fagiolini, the British vocal ensemble directed and conducted by Robert Hollingworth, celebrates its thirtieth anniversary with a new recording, Amuse-Bouche (Decca Classics 478 9394), a 29 track collection of ‘French choral delicacies’ from the late 19th and early 20th centuries, released in April 2016. To highlight the Australian connections, I Fagiolini toured Australia in 2015 for Musica…
Halcyon presents a captivating chamber music program for voice, cello and piano by Australian composers Andrew Schultz and Rosalind Page, performed by soprano Alison Morgan, cellist Geoffrey Gartner and pianist Jo Allan. The concert includes To the Evening Star, a song cycle by Schultz, that reflects on the creative inner life, from deep longing, through whimsy,…
In April 2015, there was a landmark performance of Philip Glass’s Twenty Études for Piano at London’s Barbican Centre. The composer handpicked four pianists to perform with him, effectively anointing them as exponents of his art. One of these pianists was Vikingur Ólafsson, a brilliant young musician from Iceland. It is this repertoire that Ólafsson…
Peter McCallum reviews the Australian World Orchestras concert for the Sydney Mornng Herald “……there was something about the event….. that allowed players to reach into the depth of their musicianship and draw out phrases of the keenest shape and freshest expression.” http://www.smh.com.au/entertainment/music/orchestra-soars-to-another-world-20131006-2v27a.html
Maxim Vengerov, violin and Roustem Saitkoulov, piano Musica Viva 70th Anniversary Gala Recital Tour Concert Hall, Sydney Opera House December 11, 2015 There is something enigmatic about Maxim Vengerov in performance. His powerful build seems at odds with the fragility of the 1727 ex-Kreisler Stradivari tucked under his chin and the slender bow he glides…
Don Pasquale – Gaetano Donizetti Opera Australia , 18 July 2013 When Donizetti wrote Don Pasquale for Paris in 1841, it was an immediate success. Within six months it had been produced in Milan, Vienna, Brussels and London and it has remained one of the most popular comic operas ever since. So it is surprising…
I Fagiolini, the British vocal ensemble directed and conducted by Robert Hollingworth, celebrates its thirtieth anniversary with a new recording, Amuse-Bouche (Decca Classics 478 9394), a 29 track collection of ‘French choral delicacies’ from the late 19th and early 20th centuries, released in April 2016. To highlight the Australian connections, I Fagiolini toured Australia in 2015 for Musica…
Halcyon presents a captivating chamber music program for voice, cello and piano by Australian composers Andrew Schultz and Rosalind Page, performed by soprano Alison Morgan, cellist Geoffrey Gartner and pianist Jo Allan. The concert includes To the Evening Star, a song cycle by Schultz, that reflects on the creative inner life, from deep longing, through whimsy,…
In April 2015, there was a landmark performance of Philip Glass’s Twenty Études for Piano at London’s Barbican Centre. The composer handpicked four pianists to perform with him, effectively anointing them as exponents of his art. One of these pianists was Vikingur Ólafsson, a brilliant young musician from Iceland. It is this repertoire that Ólafsson…