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It was a novel idea for a sleepover – a live, all-night performance by Max Richter, of his album Sleep. For eight hours, patrons immersed themselves in Richter’s inimitable music. Performing with him in the spaces of the Sydney Opera House were his colleagues who also featured on the album – New York’s American Contemporary…
CD Review: ‘Dido’s Lament’- Zoë Black and Joe Chindamo
Dido’s Lament is the debut release by pianist Joe Chindamo and violinist Zoë Black on their newly formed recording label Mo’OzArt. For the ‘classically’ trained Black and Chindamo, the pianist with the reputation as a jazz musician, it is a fusion of styles which seeks to shatter pre-conceptions and create what Chindamo describes as a…
Concert Review: Faure’s Requiem From The Sydney Chamber Choir:Shining Light Into Worlds Beyond
Faure’s Requiem The Sydney Chamber Choir and The Metropolitan Orchestra, April 12 2014. the City Recital Hall, Sydney. In a world where concert producers seem to draw on a dizzying array of devices to tantalise audiences, the Sydney Chamber Choir delivered a potent reminder of the power of music, dispensing with distractions and focusing…
Opera Review: La Traviata/ Opera Australia
La traviata, Opera Australia Joan Sutherland Theatre, Sydney Opera House, Tuesday 28 March 2017 Written by Deen Hamaker When Giuseppe Verdi’s La traviata premiered at Teatro La Fenice in Venice in 1853, theatre management insisted that the opera be set in the early 18th Century. Verdi had wanted his opera in portrayed in contemporary times….
Concert Review: Baroque To Broadway/ Yvonne Kenny/Choir Of St James’
Baroque to Broadway Yvonne Kenny and the Choir of St James’ King Street directed by Warren Trevelyan-Jones St James’ King Street September 10, 2015 It was a marvellous opportunity to hear soprano Yvonne Kenny in the intimate sanctuary of St James’ King Street, when she joined its choir to perform music from Baroque to Broadway….
Concert Review: Musica Viva/Macliver/The AAM/Egarr
“A glorious mastery over these sometimes-troublesome instruments” says Peter McCallum in the Sydney Morning Herald. http://www.smh.com.au/entertainment/music/academy-of-ancient-music-sara-macliver-and-co-bring-clarity-and-comeliness-20131110-2x9m1.html …..and Graham Strahle reviews the Adelaide concert for The Australian http://www.theaustralian.com.au/arts/affectionately-yours-egarr-keeps-academys-ancient-history-alive/story-e6frg8n6-1226756826169