{"id":15326,"date":"2014-01-28T17:08:41","date_gmt":"2014-01-28T06:08:41","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=15326"},"modified":"2014-01-28T17:08:41","modified_gmt":"2014-01-28T06:08:41","slug":"hobart-baroque","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/?p=15326","title":{"rendered":"Hobart Baroque"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-15327\" alt=\"images\" src=\"https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2014\/01\/images4.jpg\" width=\"222\" height=\"227\" \/><\/p>\n<p>Inaugurated just 1 year ago, in April 2013, Hobart Baroque has already established a reputation as an important fixture on the national calendar of music festivals. It is the\u00a0only festival in the country solely dedicated to performance of music of the late 17th and early 18th centuries.<\/p>\n<p>In 2014, Hobart Baroque \u00a0will run from March 28th &#8211; April 5th. It will feature world-class musicians performing in magnificent historic venues around Hobart, whose acoustic and intimacy support the style of music being performed.\u00a0<\/p>\n<p>Artistic Director of Hobart Baroque, Leo Schofield AM nominates some of the highlights for the 2014 festival:<\/p>\n<p>&#8211; The Australian premiere of \u00a0Handel\u2019s<em>\u00a0Orlando, <\/em>\u00a0directed by\u00a0Chas Rader-Shieber, (who directed Pinchgut Opera&#8217;s 2013 production <em>Giasone). <\/em>This<em>\u00a0<\/em>production of<em> Orlando <\/em>premiered at\u00a0America\u2019s Glyndebourne\u2019, the Glimmerglass Summer Festival\u00a0in New York, the forefront of Baroque resurgence in the USA,\u00a0and later had a successful season at the Lincoln Centre. \u00a0Singing the role of Angelica, in <em>Orlando<\/em>, is American soprano Kathryn Lewek, who in December 2013 made her debut at the Metropolitan Opera in New York, as the\u00a0Queen of the Night \u00a0in Mozart\u2019s <em>The Magic Flute<\/em>.<\/p>\n<p>&#8211; The first and only Australian appearance of the\u00a023-year old Russian soprano Julia Lezhneva with orchestra, performing with the Tasmanian Symphony Orchestra,<\/p>\n<div id='gallery-1' class='gallery galleryid-15326 gallery-columns-2 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/soundslikesydney.com.au\/?attachment_id=15331'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2014\/01\/theatre-lewek-500-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-15331\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-15331'>\n\t\t\t\tSoprano Kathryn Lewek\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/soundslikesydney.com.au\/?attachment_id=15329'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2014\/01\/JL-small-shot-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-15329\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-15329'>\n\t\t\t\tSoprano Julia Lezhneva\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p>&#8211; A unique collaboration between Melbourne early music ensemble Latitude 37 and MONA,\u00a0an evening of Ottoman baroque music followed by an Ottoman\u00a0banquet,<\/p>\n<p>&#8211; A series of five early evening recitals by five different emerging\u00a0young Tasmanian musicians and ensembles with an<br \/>admission price of just $5 to appeal to young audiences new to Baroque music,<\/p>\n<p>&#8211; \u00a0The first appearance in Australia of the Barcelona-born\u00a0countertenor Xavier Sabata, a soloist with Les Arts Florissants<br \/>and Le Jardin des Voix, In Hobart, he will perform with the\u00a0Orchestra of the Antipodes, conducted\u00a0by Erin Helyard.<\/p>\n<p>As well, Helsinki-born Timo-Veikko Valve plays\u00a0three of J S Bach&#8217;s\u00a0unaccompanied cello sonatas on his\u00a01725 Italian Baroque cello complete with gut strings. \u00a0Keyboard virtuosos Erin Helyard and Donald Nicolson alternate in a selection of sonatas by Domenico Scarlatti;\u00a0Greek guitar virtuoso and composer Smaro Gregoriadou will play music from the\u00a0Baroque through to the present. She\u2019ll play on three guitars, each with a different\u00a0type, number and material of strings, timbre and tuning. The guitars were crafted\u00a0by Yorgos Kertsopoulos, whose instruments embody exhaustive historical and\u00a0aesthetic research with practical acoustic applications for modern audiences.<\/p>\n<p>Tickets and more information at <a href=\"\/HOBARTBAROQUE.COM.AU\">HOBARTBAROQUE.COM.AU<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Inaugurated just 1 year ago, in April 2013, Hobart Baroque has already established a reputation as an important fixture on the national&hellip;<\/p>\n","protected":false},"author":1,"featured_media":15327,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"sls_format":[],"class_list":["post-15326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-shows"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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