{"id":15717,"date":"2014-03-12T11:14:51","date_gmt":"2014-03-12T00:14:51","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=15717"},"modified":"2014-03-12T11:14:51","modified_gmt":"2014-03-12T00:14:51","slug":"news-from-catherine-carby","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/news-from-catherine-carby\/","title":{"rendered":"News From Catherine Carby"},"content":{"rendered":"<figure id=\"attachment_15718\" aria-describedby=\"caption-attachment-15718\" style=\"width: 192px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-15718\" alt=\"Mezzo-soprano Catherine Carby\" src=\"https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2014\/03\/carby-049-192x240.jpg\" width=\"192\" height=\"240\" \/><figcaption id=\"caption-attachment-15718\" class=\"wp-caption-text\">Mezzo-soprano Catherine Carby<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>She has been a versatile and popular performer on Australia&#8217;s opera stage &#8211; as Carmen, she memorably tied up Stuart Skelton&#8217;s Don Jose; wore a beard as Baba the Turk in <em>The Rake\u2019s Progress<\/em> for which she won a Helpmann Award; consoled Cheryl Barker&#8217;s Cio- Cio San as Suzuki in <i>Madame Butterfly <\/i>\u00a0and received a Green Room Award as Cornelia in <em>Giulio Cesare; <\/em>she donned the pants as Orlofsky in <em>Die Fledermaus<\/em>, Octavian in <em>Der Rosenkavalier<\/em> and Arsace in <i>Partenope<\/i>.\u00a0<\/p>\n<p>In recent years, mezzo-soprano Catherine Carby has been living and working in London where she has made her name as a soloist, appearing in some quite exceptional productions.\u00a0<\/p>\n<p>SoundsLikeSydney caught up with her via this Q and A:<\/p>\n<p>&nbsp;<\/p>\n<p>\u00a0<i>SLS: What are you present projects?\u00a0<\/i>\u00a0<\/p>\n<p>CC: I&#8217;m currently working on Richard Strauss&#8217; <i>Die Frau ohne Schatten<\/i> at the Royal Opera, Covent Garden. It&#8217;s a new production directed by Claus Guth and co-produced with La Scala. Semyon Bychkov is conducting and Johan Botha plays The Emperor. It&#8217;s part of the ROH&#8217;s commemorations of Strauss&#8217; 150th birth anniversary.\u00a0<\/p>\n<p>As well in March, I&#8217;m singing the role of Romeo in Bellini&#8217;s <i>I Capuleti ed i Montecchi\u00a0<\/i>for Chelsea Opera Group at the Queen Elizabeth Hall in the Southbank Centre.\u00a0<\/p>\n<p>Also in March I am the soloist with the City of London Sinfonia at Southwark Cathedral\u00a0 in <i>Supernatural Songs<\/i>, which features the music of Sir John Tavener, Gavin Bryars and Arvo Part. This is with the Hilliard Ensemble and the Holst Singers conducted by Stephen Layton.\u00a0<\/p>\n<p>Then it&#8217;s back to the Royal Opera in May for the <i>Dialogue of the Carmelites<\/i> under Simon Rattle with Deborah Polaski and Sir Thomas Allen.\u00a0<\/p>\n<p><i>SLS: Describe the experience of working at the ROH Covent Garden &#8211; what has it mean to you?\u00a0<\/i>\u00a0<\/p>\n<p>CC: Working at Covent Garden is really the pinnacle, isn&#8217;t it? It is one of a handful of great opera houses that you dream of working at as a young singer. My first job there was covering Christine Rice as Ariadne in Birtwistle&#8217;s <i>The Minotaur<\/i>, which is a fiendish piece of writing. It was a real baptism of fire &#8211; I had 9 weeks in which to learn it, from being offered the role, to the first day of rehearsal and it took every spare minute of those 9 weeks! Luckily I learn quickly and was well prepared. I jumped in at the last minute and sang at one of the <i>sitzprobes<\/i>, which was nerve wracking in the extreme! After my last vocal entry I just slunk away quietly (well, wobbled away really!) and went home. The next day conductor Ryan Wigglesworth came looking for me and said &#8220;Where did you get to? I wanted to make a big fuss of you and get the orchestra to applaud what a great job you did!&#8221; So it was quite an introduction!\u00a0<\/p>\n<p><i>SLS: You recently sang in a production of &#8216;Elektra&#8217; with Christine Goerke who performed the role in Sydney last month. What was your reaction to singing in this production?\u00a0<\/i><\/p>\n<p>CC: I loved every minute of this show. Such a great piece, in a great house with a great cast. Every single role was luxury cast, right down to the tiny one liners. I watched as much as I could from the side stage, when I wasn&#8217;t getting bloodied up! I was very interested to watch Christine; she has a really large instrument, but treats it like Mozart. Her approach to the technical demands of heavy repertoire is a masterclass in itself. Adrianne Pieczonka as Chrysotemis was another revelation to me. The final duet was thrilling. And we all had a hoot! Those Straussians know how to have a good time!\u00a0<\/p>\n<p><i>SLS: What has been the highlight \u00a0of your time in the UK thus far?<\/i>\u00a0<\/p>\n<p>CC: Probably opening night of <i>Elektra.<\/i> Making a debut at a major house in such a triumphant production can&#8217;t be easily topped.\u00a0<\/p>\n<p><i>SLS: How hard or easy would you say it has been to obtain roles in the UK?<br \/> <\/i><\/p>\n<p>CC: I haven&#8217;t found it too hard, but the first year I was here I mostly did concert work, which made for a nice change &#8211; but opera is really where I like to live.<\/p>\n<p>\u00a0<i>SLS: What are you long-term plans?<\/i><\/p>\n<p>CC: Well, we&#8217;ve just bought and are in the process of renovating a house in East London, so I think we are settled here for a bit! Our initial plan was to stay until our daughter finishes primary school, but as that&#8217;s only another 4 years away, I can&#8217;t really see it happening now.<\/p>\n<p>\u00a0<i>Shamistha de Soysa for SoundsLikeSydney\u00a9<\/i><\/p>\n<p><i>\u00a0<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; She has been a versatile and popular performer on Australia&#8217;s opera stage &#8211; as Carmen, she memorably tied up Stuart Skelton&#8217;s&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"tags":[],"sls_format":[],"class_list":["post-15717","post","type-post","status-publish","format-standard","hentry","category-news"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>News From Catherine Carby - 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