{"id":17765,"date":"2014-11-13T17:01:48","date_gmt":"2014-11-13T06:01:48","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=17765"},"modified":"2014-11-13T17:01:48","modified_gmt":"2014-11-13T06:01:48","slug":"bel-a-cappella-presents-puer-natus-est","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/?p=17765","title":{"rendered":"Bel A Cappella Presents Puer Natus Est"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-17766\" alt=\"Bel\" src=\"https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2014\/11\/Bel-240x240.jpg\" width=\"240\" height=\"240\" \/><\/p>\n<p>After a sell-out performance in August, Bel a Cappella returns for its final concert for 2014, <i>Puer Natus Est<\/i>.\u00a0<\/p>\n<p>This concert features the music of French composer Francis Poulenc, English composers Thomas\u00a0Tallis and Herbert\u00a0Howells and a rather unknown Catalan composer Bernat Vivancos. To quote Norwegian composer Lasse Thoresen, \u201cVivancos\u2019 music is like a city of angels: blissful sounds populated by saintly spirits hiding between the notes as birds in a tree\u201d.<\/p>\n<p>Thomas Tallis\u2019 seven-voice Mass,<i> Puer natus est nobis,<\/i>\u00a0dates from the Catholic reign of Mary I.\u00a0 The Mass is based on the festive plainchant Puer natus est, in a new edition prepared by early music specialist and soprano, Sally Dunkley. English conductor Andrew Carwood,\u00a0Director of Music at St Paul&#8217;s Cathedral in London and of his own group, The Cardinall&#8217;s Musick,\u00a0writes that this Mass is \u2018something of a marriage between the English and Spanish Chapels, not only in its scoring but also in its sound world \u2026 the piece is sonorous and rich, a gorgeous background tapestry for a solemn celebration of the Mass, and has wonderful dramatic effects including the use of antiphony or dialogue between voices.\u2019\u00a0<\/p>\n<p>As well, Musical Director, Anthony Pasquil, has programmed the Australian premiere of <i>Messe aux sons des cloches<\/i> by contemporary Catalan composer Bernat Vivancos. \u201cMesse aux sons des cloches\u201d was commissioned by Radio France for its &#8220;Alla breve&#8221; programme. For this programme, the composer had to write a ten-minute piece comprising five two-minute fragments, so that a fragment could be broadcast successively every day from Monday to Friday. It is written for mixed choir and five percussionists.\u00a0<\/p>\n<p>The programme also showcases some shorter works, including Francis Poulenc\u2019s <i>Quatre motets pour le temps de No\u00ebl<\/i>, Herbert Howells\u2019 <i>Long, long ago<\/i>, Ola Gjeilo\u2019s <i>Serenity (O Magnum Mysterium)<\/i> and <i>Est ist ein Ros entsprungen <\/i>composed by Michael Praetorius, arranged by Jan Sandstr\u00f6m.<\/p>\n<p>Tickets: Adults: $35 for adults\/ Seniors and pensioners: $30\/\u00a0A discount of $5 per ticket is available for groups of 10 or more, if pre-booked through the website.\u00a0 Limited tickets will be available at the door for what is likely to be a sell-out concert.\u00a0<\/p>\n<p>\u00a0<a href=\"\/www.belacappella.org.au\">Click here to book<\/a><b>\u00a0<\/b>\u00a0or call 02 9064 1729. \u00a0<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>After a sell-out performance in August, Bel a Cappella returns for its final concert for 2014, Puer Natus Est.\u00a0 This concert features&hellip;<\/p>\n","protected":false},"author":1,"featured_media":17766,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"sls_format":[],"class_list":["post-17765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-shows"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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