{"id":17819,"date":"2014-11-24T12:43:29","date_gmt":"2014-11-24T01:43:29","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=17819"},"modified":"2014-11-24T12:43:29","modified_gmt":"2014-11-24T01:43:29","slug":"concert-review-an-evening-with-the-viennese-titansorchestra-seventeen88","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/?p=17819","title":{"rendered":"Concert Review: An Evening with the Viennese Titans\/orchestra seventeen88"},"content":{"rendered":"<p style=\"text-align: left;\" align=\"center\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-17820\" alt=\"Viennese Titans\" src=\"https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2014\/11\/Viennese-Titans-209x240.jpg\" width=\"209\" height=\"240\" \/><\/em><\/p>\n<p style=\"text-align: left;\" align=\"center\">\u00a0<\/p>\n<p style=\"text-align: left;\" align=\"center\"><em>orchestra seventeen88<\/em><\/p>\n<p style=\"text-align: left;\" align=\"center\"><em>An Evening with the Viennese Titans<\/em><em>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\" align=\"center\"><em>New Hall, Sydney Grammar School, Darlinghurst<\/em><\/p>\n<p style=\"text-align: left;\" align=\"center\"><em>22 November 2014<\/em><\/p>\n<p style=\"text-align: left;\" align=\"center\">orchestra seventeen88 is continuing to establish itself as a welcome addition to Sydney\u2019s musical life.\u00a0 Its aim is to present music from the late eighteenth and early nineteenth centuries using historically informed practice and playing on instruments of the period.<\/p>\n<p>The final concert of its inaugural season was on 22 November, a special day for musicians, since it is the traditional feast day for St Cecilia, the patron saint of music.\u00a0 The programme consisted of works by three of the greatest Viennese masters, Mozart, Beethoven and Schubert.\u00a0 It was held at Sydney Grammar School in the New Hall which is embedded deep within the sandstone bedrock under the school site.\u00a0 This is a remarkable venue with much of the native sandstone left still visible inside the hall, and this has a wonderful effect on the hall\u2019s acoustics which are full and warm, but still clear.<\/p>\n<p>\u00a0The concert opened with Benjamin Bayl conducting a fiery performance of Beethoven\u2019s<em> Overture to The Creatures of Prometheus.<\/em>\u00a0 This demonstrated the orchestra\u2019s unanimity of attack and the energy that was to be evident throughout the concert.\u00a0 The passages where wind and strings alternated benefited especially from the distinct timbres of the classical period instruments.\u00a0<\/p>\n<p>In the second work on the programme, Mozart\u2019s <em>G major Flute Concerto K.313,<\/em> Benjamin Bayl retreated to the harpsichord at the back of the stage and allowed the performance to be directed jointly by London-based solo flautist Georgia Browne and the orchestra\u2019s concertmaster Rachael Beesley.\u00a0 This was an elegant rendition in which Browne\u2019s refined playing was unfailingly stylish.\u00a0 \u00a0In the slow movement, Mozart\u2019s instrumentation replaces the two oboes used in the outer movements with a pair of flutes who joined with the soloist to produce brief trio passages of exquisite classical flute harmonies.\u00a0 In the third movement the lilting rhythms within the framework of longer, overarching phrases were also particularly enjoyable.\u00a0<\/p>\n<p>After interval, the orchestra returned at full strength and Bayl conducted a spirited account of Schubert\u2019s huge<em> Symphony no 9, the \u2018Great\u2019.<\/em>\u00a0 The layout of the orchestra was unusual for a period performance, with the first and second violins grouped together on the left\u00a0 instead of being placed antiphonally.\u00a0 The cellos were in the middle, in front of the conductor, and separated from the double basses who were behind the violins.\u00a0 This divided the string bass line but also emphasised that sometimes their parts differ, with the cellos occasionally playing an additional inner part, thus adding to the richness of Schubert\u2019s string sound.\u00a0\u00a0<\/p>\n<p>The <em>sforzando<\/em> attacks of Bayl\u2019s energetic interpretation recalled those we heard in the opening overture, underlining Beethoven\u2019s influence on Schubert.\u00a0 The full-blooded interpretation also looked ahead into the Romantic period when drama, tension and dynamic contrasts were emphasised.\u00a0 This interpretation was excellently played by the orchestra which summoned the concentration and stamina to maintain the drive and excitement throughout the hour-long work.\u00a0 String intonation and unanimity of attack were excellent, the wind playing on their classical instruments was admirable and the brass playing was generally well behaved with only occasional waywardness from the capricious natural horns.\u00a0\u00a0<\/p>\n<p>At the end of the symphony, it seemed that an epic journey had been traversed.\u00a0 But perhaps the high level of sustained tension was a little too much of a good thing. \u00a0It might have seemed less exhausting (for the audience as well as the players) had there been more moments of repose in the interpretation.\u00a0 Even during the slow movement the underlying drama was continually emphasised rather than allowing the music to relax a little and provide more contrast.\u00a0<\/p>\n<p>orchestra seventeen88 fills an important niche in Sydney\u2019s musical life.\u00a0 They are building an excellent reputation and this was another first-rate concert by these dedicated professionals.\u00a0 It was particularly pleasant to enjoy it among such a quiet audience \u2013 in contrast to the disturbing bronchial noises that often disturb performances in the Opera House Concert Hall.\u00a0<\/p>\n<p>\u00a0Future concerts can be confidently recommended to music lovers throughout Sydney and it is encouraging to see that the orchestra has already announced its season for 2015.<\/p>\n<p>\u00a0<em>Larry Turner for SoundsLikeSydney\u00a9<\/em><\/p>\n<p><em>Larry Turner has been singing in choirs for many years \u2013 both in Sydney and London.\u00a0 He is an avid attender of operas and concerts, with an emphasis on vocal music.\u00a0 He particularly enjoys music from both the great a capella period and the baroque \u2013 especially the lesser-known works of Bach and Handel.\u00a0 He has written programme notes for Sydney Philharmonia, the Intervarsity Choral Festival and the Sydneian Bach Choir and is currently part of a team researching the history of Sydney Philharmonia for its forthcoming centenary.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 orchestra seventeen88 An Evening with the Viennese Titans\u00a0 New Hall, Sydney Grammar School, Darlinghurst 22 November 2014 orchestra seventeen88 is continuing&hellip;<\/p>\n","protected":false},"author":1,"featured_media":17820,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[],"sls_format":[],"class_list":["post-17819","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Concert Review: An Evening with the Viennese Titans\/orchestra seventeen88 - Sounds Like Sydney<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soundslikesydney.com.au\/?p=17819\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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