{"id":18199,"date":"2015-02-27T13:25:06","date_gmt":"2015-02-27T02:25:06","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=18199"},"modified":"2015-02-27T13:25:06","modified_gmt":"2015-02-27T02:25:06","slug":"concert-review-handel-heaven-and-harmony-australian-brandenburg-orchestra-and-choir","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/?p=18199","title":{"rendered":"Concert Review &#8211; Handel: Heaven and Harmony\/ Australian Brandenburg Orchestra and Choir"},"content":{"rendered":"<p style=\"text-align: left;\" align=\"center\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-18201\" alt=\"ABO\" src=\"https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2015\/02\/ABO-325x216.jpg\" width=\"325\" height=\"216\" \/><\/p>\n<p style=\"text-align: left;\" align=\"center\"><em>Handel: Heaven and Harmony<\/em><\/p>\n<p style=\"text-align: left;\" align=\"center\"><em>Australian Brandenburg Orchestra and Choir<\/em><em>\u00a0<\/em><\/p>\n<p style=\"text-align: left;\" align=\"center\"><em>City Recital Hall, Angel Place<\/em><\/p>\n<p style=\"text-align: left;\" align=\"center\"><em>25 February 2015<\/em>\u00a0<\/p>\n<p>The programmes of the Australian Brandenburg Orchestra continually aim to present unfamiliar music or new approaches to well-trodden paths and they also regularly introduce new faces.\u00a0 For their <i>Heaven and Harmony<\/i> concert all the music was by Handel, but it explored works which are not often performed in Sydney.\u00a0 The concert also introduced two singers who regularly perform together overseas but who have not been heard previously in Australia.\u00a0\u00a0<\/p>\n<p>This was the orchestra\u2019s first concert of the year and it opened appropriately with the well-known sinfonia <i>The<\/i> <i>Arrival of the Queen of Sheba<\/i> from <em>Solomon<\/em>.\u00a0 This received a sprightly performance with some enjoyable oboe playing from Adam Masters and Owen Watkins.\u00a0 As always, the orchestra displayed its collective discipline and energy.<\/p>\n<p>The second work on the programme introduced the Portuguese tenor Fernando Guimar\u00e3es in the short, rarely-heard secular cantata <i>Look down harmonious Saint<\/i> which consists of a single aria with an introductory recitative.\u00a0 Guimar\u00e3es has a clear, focused sound which is well suited to Handel.\u00a0 He pointed the text dramatically and his coloratura was clean but perhaps overly detached.<\/p>\n<p>The programme continued with part of Handel\u2019s <i>Ode for St Cecilia\u2019s Day, <\/i>written for the opening concert of his 1739-40 season on 22 November (St Cecilia\u2019s Day). \u00a0It was a mysterious decision to break the work with an interval after the first four movements and then to continue with the remaining six movements after the interval, especially in a programme as short as this one.\u00a0<\/p>\n<p>The <i>Ode<\/i> introduced the Brandenburg Choir, consisting of 19 fine singers who produce a homogeneous, well-blended sound with precise attack and reliable unanimity.\u00a0 Each of the voice parts is well-integrated and the result is a well-balanced sound, though a slightly stronger tenor section would be ideal.<\/p>\n<p><strong><\/strong>The fourth movement of the <i>Ode<\/i>, <i>What passion cannot music raise and quell<\/i>, started with some fine solo cello playing by Jamie Hey.\u00a0 This aria also introduced the Argentine soprano Mariana Flores.\u00a0 She produced a sturdy, well-projected, though sometimes rather incisive sound.\u00a0 Her ornamentation and coloratura were clean and accurate but she had a tendency to swell on individual notes which was at the expense of delivering longer lines and delicacy of phrasing.\u00a0<\/p>\n<p>In another obscure programming decision, the scheduled part of the concert did not conclude with the stirring last movement of the <i>Ode<\/i>, with its rousing chorus and trumpets and drums.\u00a0 Instead, this was followed by the duet <i>Tra amplessi innocenti<\/i> which is just the final movement from another of Handel\u2019s secular cantatas, <em>Cecilia, volgi un sguardo<\/em>.\u00a0 This attractive music was given a buoyant performance with the lightness of touch appropriate to its pastoral nature.<\/p>\n<p>\u00a0As an encore we were given the duet <i>As steals the morn<\/i> from the third part of Handel\u2019s <i>L\u2019Allegro, Il Pensiero ed il Moderato<\/i>.\u00a0 This is quintessential Handel at his timeless best and it was attractively performed, though perhaps without fully evoking the hushed tranquillity inherent in the piece.<\/p>\n<p>\u00a0It is always interesting to hear musicians from overseas, but one wonders about importing overseas singers when there are local singers who could have produced musical results that were at least as satisfying.\u00a0 Nevertheless, the ABO and its chorus are superb groups, and their concerts are always enjoyable.\u00a0 This was certainly no exception.\u00a0 It was a delightful programme of Handel rarities which was very well performed.\u00a0\u00a0<\/p>\n<p>A special word of praise must go to the comprehensive programme notes by Lynne Murray which provided excellent background and context for all the music performed.\u00a0 Several more concerts of the same programme are being given in Sydney until 6 March and then in Melbourne on 7 and 8 March.\u00a0<\/p>\n<p><em>Larry Turner for SoundsLikeSydney\u00a9<\/em><\/p>\n<p><em>Larry Turner has been singing in choirs for many years \u2013 both in Sydney and London.\u00a0 He is an avid attender of operas and concerts, with an emphasis on vocal music.\u00a0 He particularly enjoys music from both the great a capella period and the baroque \u2013 especially the lesser-known works of Bach and Handel.\u00a0 He has written programme notes for Sydney Philharmonia, the Intervarsity Choral Festival and the Sydneian Bach Choir and is currently part of a team researching the history of Sydney Philharmonia for its forthcoming centenary.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p align=\"right\">\u00a0<\/p>\n<p align=\"right\">\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Handel: Heaven and Harmony Australian Brandenburg Orchestra and Choir\u00a0 City Recital Hall, Angel Place 25 February 2015\u00a0 The programmes of the Australian&hellip;<\/p>\n","protected":false},"author":1,"featured_media":18201,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[],"sls_format":[],"class_list":["post-18199","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Concert Review - Handel: Heaven and Harmony\/ 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