{"id":19388,"date":"2015-09-17T16:24:08","date_gmt":"2015-09-17T06:24:08","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=19388"},"modified":"2015-09-17T16:24:08","modified_gmt":"2015-09-17T06:24:08","slug":"19388","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/?p=19388","title":{"rendered":"Oppenheimer – ‘Noh’ Play Has Its World Premiere In Sydney"},"content":{"rendered":"
\"Capture\"
Image Kazuhiro Inue<\/figcaption><\/figure>\n

Oppenheimer,<\/i>\u00a0a Japanese Noh<\/em> play in English, will have its world premiere in Sydney later this month,\u00a0in the 70th<\/sup> anniversary year of Hiroshima. The ghost of the American scientist Robert J Oppenheimer, the \u2018father of the atomic bomb\u2019, is redeemed in the exquisite Noh<\/em> tradition of mask, music and dance.\u00a0Supported by the Japan Foundation in conjunction with the University of Sydney, Oppenheimer<\/em> is also presented as part of the centenary celebrations of the Sydney Conservatorium of Music.\u00a0<\/b><\/p>\n

Oppenheimer <\/i>is written by ethno-musicologist Emeritus Professor Allan Marett (Sydney Conservatorium of Music) and composed by Noh<\/em> scholar \u00a0Professor Richard Emmert\u00a0(Musashino University, Tokyo). It\u00a0traces the journey of Oppenheimer as he is transformed from an agent of death and destruction into an agent of liberation and healing.\u00a0\u201cOppenheimer will \u2026.have a big impact in Japan and on Japanese-Australia relations.\u201d <\/i>says\u00a0Jeff Janisheski, Head of Acting at NIDA.\u00a0<\/i><\/p>\n

Noh<\/em> is a traditional Japanese theatrical form and one of the oldest surviving theatrical forms in the world. In Noh<\/em> drama, agents of suffering first appear trapped in the form of a ghost and then in the course of the play attain liberation. In Oppenheimer<\/i>, the ghost is physicist Robert J Oppenheimer, who, tormented by the horrible consequences of his action in developing the atomic bomb, is condemned to return each year to Hiroshima, confront his guilt and suffer the agonies that his weapon caused.<\/p>\n

The production is\u00a0directed and choreographed by master actor-teacher Akira Matsui of the Kita School of Japanese classical Noh<\/em> theatre who says that there has never been a work like Oppenheimer presented in Japan.\u00a0The principal performers include both Japanese professionals and Japanese-trained members of the Theatre Nohgaku.<\/em> The performance will feature classical and new masks made by master mask-maker Kitazawa Hideta.<\/p>\n

\u00a0\u201cAlthough the conventions of Noh<\/em> will be somewhat unfamiliar to Australian audiences, the beauty of its costumes, masks, music and dance speaks directly across the cultural divide,\u201d says Professor Allan Marrett.<\/p>\n

\u00a0\u201cMoreover, all of us live in the shadow of Hiroshima and Nagasaki. So far, these are the only occasions when a nuclear weapon has been used on a human population, but it won\u2019t be the last. How do we deal with this legacy?\u201d he asks.\u00a0<\/p>\n

\"YorimasaSmall\"<\/p>\n

Oppenheimer<\/i> is presented in two parts. In the first part, the main character is in disguise – Oppenheimer appears initially as a priest, wearing a Yorimasa mask <\/b>(pictured above) – but then reveals his true identity, which he then presents in the second part of the play.\u00a0<\/p>\n

The play <\/i>has the structure and form of a \u2018mugen\u2019 Noh<\/em>, where the main character, Oppenheimer, is the ghost of a person who, because of some karmic hindrance, is unable to leave their human form at death.\u00a0<\/p>\n

Through a contemplation of the traditional Zen story of Hyakujo and the fox (Mumonkan, Case 2), the ghost of Oppenheimer is finally released from his suffering when he encounters Fud\u00f4 My\u00f4-\u00f4 within the fires of Hiroshima. Fud\u00f4 gives Oppenheimer his sword and snare so that he can dance for the liberation of all beings from suffering and in particular, the wounds and scars that resulted from the atomic bombing of Hiroshima.\u00a0<\/p>\n

Matsui adds \u201cUsing the classical elements and style of Noh<\/em> theatre, Oppenheimer<\/i> is neither politically graphic, nor does it attempt to make accusations of right and wrong. It does not have the Christian concept of repentance, but rather a skillful expression of Buddhist thought. It is a work that challenges the audience to think about the contradictions brought about by science.\u201d\u00a0<\/p>\n

The collaboration between Allan Marrett and Richard Emmert dates back several decades when in 1989 and 1991, when they joined Akira Matsui to produce Eliza<\/i>, one of the earliest examples of Noh<\/em> in English, in Sydney and Tokyo.\u00a0<\/p>\n

This, and a number of other English Noh<\/em> projects, led to the formation, in 2000, of the professional Japanese-American company, Theatre<\/em> Nohgaku<\/em>, whose mission is to increase appreciation of Noh<\/em> outside Japan through the performance of traditional Noh<\/em> plays in English and the creation of new Noh<\/em> in English. Since then, Theatre Nohgaku<\/em> has gone from strength to strength, holding annual workshops for writers, through which Oppenheimer <\/i>has been developed.\u00a0<\/p>\n

Performers:\u00a0Principal actor (shite) \u00a0John Oglevee\/\u00a0Companion actor (tsure) Akira Matsui\/Secondary actor (waki) \u00a0David Crandall\/\u00a0Head of chorus (jigashira)\u00a0 Richard Emmert\/\u00a0Interlude actors (ai-kyogen) Gary Watson, Yoke Chin\/\u00a0Flute (nokan) Takizawa Narumi\/\u00a0Small shoulder drum (kotsuzumi) Omura Kayu\/\u00a0Large hip drum (otsuzumi) Okura Eitaro\/Stick drum (taiko) Yoshitani Kiyoshi\/Stage assistants (koken) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Omura Sadamu, Kitazawa Hideta.<\/p>\n

Co-inciding\u00a0with the premier of\u00a0Oppenheimer<\/i>, The Japan Foundation, Sydney is proud to present\u00a0Shadow & Light: The Craft of Noh Mask Carving<\/i>\u00a0an exhibition of Japanese Noh masks by award-winning artisan Hideta Kitazawa, at The Japan Foundation Gallery, 16-30 September.\u00a0www.jpf.org.au<\/a>\u00a0<\/p>\n

Tickets: Adults: $65, Concession: $45<\/p>\n

Click here to book<\/a>\u00a0 \u00a0<\/b>\u00a0<\/b><\/p>\n

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\u00a0<\/b><\/p>\n

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Oppenheimer,\u00a0a Japanese Noh play in English, will have its world premiere in Sydney later this month,\u00a0in the 70th anniversary year of Hiroshima.…<\/p>\n","protected":false},"author":1,"featured_media":19392,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"sls_format":[],"class_list":["post-19388","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-shows"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"\nOppenheimer - 'Noh' Play Has Its World Premiere In Sydney - Sounds Like Sydney<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soundslikesydney.com.au\/?p=19388\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oppenheimer - 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