{"id":19896,"date":"2015-11-17T14:30:27","date_gmt":"2015-11-17T03:30:27","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=19896"},"modified":"2015-11-17T14:30:27","modified_gmt":"2015-11-17T03:30:27","slug":"concert-review-the-nutcrackeromega-ensemble","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/?p=19896","title":{"rendered":"Concert Review: The Nutcracker\/Omega Ensemble"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-19897\" src=\"https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2015\/11\/O.jpg\" alt=\"O\" width=\"160\" height=\"160\" srcset=\"https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2015\/11\/O.jpg 160w, https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2015\/11\/O-150x150.jpg 150w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/p>\n<p><em>Omega Ensemble<\/em><\/p>\n<p><em>The Nutcracker \u2013 Virtuoso Series<\/em><\/p>\n<p><em>City Recital Hall<\/em><\/p>\n<p><em>16 November 2015<\/em><\/p>\n<p><em>Celia Craig (oboe), Georgina Roberts (oboe \/ cor anglais), David Rowden (Artistic Director and clarinet), John Lewis (clarinet \/ bass clarinet), Ben Hoadley (bassoon), Simone Walters (bassoon), Michael Dixon (horn), Jenny Mcleod-Sneyd (horn), Lisa Osmialowski (flute), Paul Stender (cello), Alex Henery (double bass)<\/em><\/p>\n<p>The Omega Ensemble has ended its tenth anniversary year with another delightfully mixed programme of wind music contrasting the known, the unknown and familiar music in new dress.<\/p>\n<p>The concert opened with Carl Nielsen\u2019s rarely performed <em>Serenata in Vano<\/em> (Serenade in Vain).\u00a0 This is a ten minute trifle he produced in less than a week for an imminent regional concert tour of the Danish provinces.\u00a0 It is an amiable work in three sections which came across well in the sympathetic acoustic of the City Recital Hall.\u00a0 Nielsen described the first section as \u2018chivalric and showy\u2019, and this was well brought out by Celia Craig playing the first oboe and also by the enjoyable interchanges between the first clarinet and bassoon, played by David Rowden and Ben Hoadley.\u00a0 The plaintive middle section displayed the ensemble\u2019s fine blend and in the jaunty final section they nicely captured the playful spirit of the immediately hummable tune.\u00a0<em>\u00a0<\/em><\/p>\n<p>The main work in the first half was Mozart\u2019s superb <em>Serenade in C minor K.388<\/em> for wind octet which was given a stylish and nicely balanced performance.\u00a0 The first movement was very elegantly played \u2013 especially the graceful exchanges between Celia Craig and David Rowden.\u00a0 The long phrases of the slow movement were well sustained and blended.\u00a0 The minuet was also well-played, though some of the cross-rhythms occasionally seemed a little unstable.\u00a0\u00a0 The performance ended with a lively rendition of the sprightly finale.<\/p>\n<p>After interval, the approaching Christmas season was acknowledged by Tchaikovsky\u2019s <em>Nutcracker Suite<\/em> performed in a version for nine wind players and double bass in an arrangement by the modern German composer and arranger Andreas Tarkmann.\u00a0 The items in this version differ slightly from those in the popular orchestral suite but include those best suited for performance by a wind ensemble.\u00a0 This was a delightful performance that brought out the charm of Tchaikovsky\u2019s ever-popular music.\u00a0 Flautist Lisa Osmialowski extended the tone colour of the ensemble with attractive, fluent playing. \u00a0The tone colour of the ensemble was further widened with Georgina Roberts sometimes switching to cor anglais and John Lewis employing the bass clarinet.<\/p>\n<p>Throughout the concert the Omega Ensemble displayed a unanimity of style and cohesion which is not always evident in groups with varying membership.\u00a0 Playing first oboe, Celia Craig led with a fine sense of style.\u00a0 Playing first clarinet, the ensemble\u2019s Artistic Director David Rowden also displayed his customary fine playing, though he was uncharacteristically a little more reticent than necessary.\u00a0 The performances were well supported by sensitive playing and a lightness of touch from the two bassoons and also by reliable support from the well-behaved horns. \u00a0Alex Henery\u2019s double bass provided the only deep bass tone in the ensemble and he successfully switched between delicate pizzicato support and an expanded, full-tone underpinning of the whole ensemble as the musical context required.<\/p>\n<p>Atmospheric coloured lighting has recently become fashionable in the City Recital Hall and whilst this is relatively harmless, I would put in a plea to keep it stationary.\u00a0 Moving lighting effects create an unwelcome distraction from the performances.<\/p>\n<p>A more welcome innovation is the establishment of the Omega Ensemble\u2019s Digital Concert Hall (<a href=\"http:\/\/omegaensemble.com.au\/digital-concert-hall\/\">http:\/\/omegaensemble.com.au\/digital-concert-hall\/<\/a>) which provides free access to videos of some of their previous performances.\u00a0 This is a generous initiative which showcases the ensemble\u2019s high standards of performance. \u00a0It also allows their regular audience members to enjoy their performances once again.<\/p>\n<p>In addition to marking the successful end of the Omega Ensemble\u2019s tenth anniversary season the concert was also the occasion for launching their programme for 2016 when they will again be the Ensemble in Residence for the City Recital Hall.\u00a0 Next year promises a number of intriguing performances and signals the ensemble\u2019s occasional expansion to chamber orchestra size.<\/p>\n<p><em>Larry Turner for SoundsLikeSydney\u00a9<\/em><\/p>\n<p><em>Larry Turner has been singing in choirs for many years \u2013 both in Sydney and London.\u00a0 He is an avid attender of operas and concerts, with an emphasis on vocal music.\u00a0 He particularly enjoys music from both the great a capella period and the baroque \u2013 especially the lesser-known works of Bach and Handel.\u00a0 He has written programme notes for Sydney Philharmonia, the Intervarsity Choral Festival and the Sydneian Bach Choir and is currently part of a team researching the history of Sydney Philharmonia for its forthcoming centenary.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Omega Ensemble The Nutcracker \u2013 Virtuoso Series City Recital Hall 16 November 2015 Celia Craig (oboe), Georgina Roberts (oboe \/ cor anglais),&hellip;<\/p>\n","protected":false},"author":1,"featured_media":19897,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[],"sls_format":[],"class_list":["post-19896","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Concert Review: The Nutcracker\/Omega Ensemble - Sounds Like Sydney<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soundslikesydney.com.au\/?p=19896\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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