{"id":19899,"date":"2015-11-18T14:35:39","date_gmt":"2015-11-18T03:35:39","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=19899"},"modified":"2015-11-18T14:35:39","modified_gmt":"2015-11-18T03:35:39","slug":"concert-review-musician-project-brahms-1and-schubert","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/?p=19899","title":{"rendered":"Concert Review: Musician Project\/ Brahms 1 And Schubert"},"content":{"rendered":"<figure id=\"attachment_19900\" aria-describedby=\"caption-attachment-19900\" style=\"width: 325px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-19900\" src=\"https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2015\/11\/tmp-325x1601-325x160.jpg\" alt=\"The Musician Project with conductor Max McBride\" width=\"325\" height=\"160\" \/><figcaption id=\"caption-attachment-19900\" class=\"wp-caption-text\">The Musician Project with conductor Max McBride<\/figcaption><\/figure>\n<p><em>The Musician Project<\/em><\/p>\n<p><em>Conductor Max McBride<\/em><\/p>\n<p><em>Schubert Incidental Music to Rosamunde D 997 and Brahms&#8217; Symphony No 1 in C minor, Opus 68<\/em><\/p>\n<p><em>Verbrugghen Hall, Sydney Conservatorium of Music,<\/em><\/p>\n<p><em>November 15, 2015<\/em><\/p>\n<p>There was an abundance of talent on display when a selection of students from the Sydney Conservatorium of Music joined by more experienced mentors, took to the stage as the Musician Project to perform music by Schubert and Brahms.<\/p>\n<p>The 65 strong orchestra was conducted by Max McBride and led by Concertmaster Rebecca Chan in a neat pairing of selections from Schubert&#8217;s Incidental Music to <em>Rosamunde<\/em> (D997) with Brahms&#8217; <em>Symphony No 1 in C minor, Op 68.<\/em><\/p>\n<p>The passion and relish with which the young musicians played was unmistakable. Here were several dozen young people spending a Sydney Sunday afternoon doing something that they loved.<\/p>\n<p>A good measure of a concert performance of stage music is that it conjures up images of the drama &#8211; even though the actors aren&#8217;t really there. And so it was with the selections from <em>Rosamunde, <\/em>the order of which had been re-arranged for &#8220;ideal musical impact.&#8221; Rhythmicity and grace shone through, with gentle pastoral tones and theatrical colours. The <em>Entr&#8217;acte 2<\/em> with its daintily paced arpeggios was followed by a clarion clear, haunting <em>Shepherd&#8217;s Melody<\/em> played by the clarinets, bassoons and horns.<\/p>\n<p>The programme notes explained that the music had been selected with spring in mind. Brahms&#8217; first symphony was an apt selection as it represents the emergence of Brahms as a symphonic writer after an extended and anguished episode of &#8216;writer&#8217;s block.&#8217; It also parallels the emergence of these young\u00a0 musicians from the corridors of the conservatorium into the world of professional performance.<\/p>\n<p>Max McBride&#8217;s understated, encouraging and precise conducting style created a cohesive and well-balanced ensemble that played with full-blooded dramatic dynamic diversity. From the compelling opening bars of the symphony, the orchestra presented a rich soundscape.\u00a0 The instrumental solos were performed with aplomb and Rebecca Chan&#8217;s solo in particular was gossamer light yet incisive. The fourth movements was especially memorable.<\/p>\n<p>What is as interesting and visionary is the concept behind this project &#8211; that emerging musicians have the opportunity to work and perform alongside more experienced professionals.<\/p>\n<p>Novel too that the audience &#8211; a healthy turnout of all ages &#8211; did not purchase tickets in advance, but was invited to &#8220;Pay What You Think&#8221; after the performance &#8211; either in person on leaving the venue or online at a later date.<\/p>\n<p>It was, altogether, an exciting and entirely polished performance by soon-to-be professionals.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Shamistha de Soysa for SoundsLikeSydney\u00a9<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Musician Project Conductor Max McBride Schubert Incidental Music to Rosamunde D 997 and Brahms&#8217; Symphony No 1 in C minor, Opus&hellip;<\/p>\n","protected":false},"author":1,"featured_media":19900,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"sls_format":[],"class_list":["post-19899","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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