{"id":22250,"date":"2016-12-09T16:47:22","date_gmt":"2016-12-09T05:47:22","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=22250"},"modified":"2016-12-09T16:47:22","modified_gmt":"2016-12-09T05:47:22","slug":"album-review-brahms-tones-of-romantic-extravagance-ironwood","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/album-review-brahms-tones-of-romantic-extravagance-ironwood\/","title":{"rendered":"Album Review:  Brahms \u2013 Tones of Romantic Extravagance\/ Ironwood"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-22251\" src=\"https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2016\/12\/download.jpg\" alt=\"download\" width=\"224\" height=\"224\" srcset=\"https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2016\/12\/download.jpg 224w, https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2016\/12\/download-150x150.jpg 150w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/p>\n<p>Ironwood, the Australian period instrument specialist ensemble has released a sumptuous new double album <em>Brahms \u2013 Tones of Romantic Extravagance <\/em>(ABC Classics), featuring two of Brahms\u2019 major chamber works, the <em>Piano Quartet No 1 in G minor opus 25<\/em> on disc one, and the <em>Piano Quintet in F minor opus 34 <\/em>on disc two. The album certainly lives up to its name with a performance that is lavish in Romantic ideas and lush in its sound.<\/p>\n<p>Performing the piano quartet are violinist Robin Wilson, violist Nicole Forsyth, cellist Daniel Yeadon and Neal Peres Da Costa on the pianoforte. Violinist Rachel Beesley join the ensemble for the piano quintet.<\/p>\n<p>From the very opening bars of the piano quartet, it is evident that the musicians have created something immensely special, shedding new light on these chamber works that are so symphonic in their conformation. Ironwood\u2019s elite musicians and meticulous research underpin the performance. The gut-stringed instruments and the replica of Brahms\u2019 own Streicher and Sons grand piano add to the unique sound and the historically informed realisation of two canons of the chamber repertoire.<\/p>\n<p>Both works are substantial in size and complex in content. Each lasts nearly three-quarters of an hour in performance on this album. The precise and expressive readings of the diverse themes of the G minor quartet validate the ensemble\u2019s versatility. The quartet opens with an unashamedly romantic <em>Allegro<\/em> enhanced by the use of stylistic <em>portamento<\/em>; the second movement (<em>Intermezzo<\/em>) exudes tender yearning; the ensemble takes the third movement from a chorale-like motif to a rhythmically driven march before breaking into the unbridled fire and abandon of the <em>Rondo all Zingarese <\/em>with a fabulous piano cadenza and tempestuous coda.<\/p>\n<p>With the deeply profound F minor Piano Quintet showcasing a variety of string-playing techniques, the ensemble places its heart firmly on its sleeve, driving the brooding opening of the first movement (<em>Allegro non<\/em> <em>troppo<\/em>) towards a poignant sweetness. The second movement, played with sweeping lyricism moves to the <em>Scherzo<\/em> which alternates between introspection and grandeur before culminating in a noble and labyrinthine <em>Finale<\/em> with its elements of counterpoint.<\/p>\n<p>This album makes for excellent listening. The performances are outstanding and the integrity of the musical values is unquestionable. Added to these is an intangibility that is born of the musicians\u2019 deep understanding of each other in performance and of the music that they play. It is more than sum of parts.<\/p>\n<p><em>Brahms \u2013 Tones of Romantic Extravagance <\/em>is accompanied by a substantial booklet with robust and scholarly referenced notes giving detailed insights into the history of the music, performance practice, the instruments used and musician biographies. The cover painting is Max Lieberman\u2019s\u00a0 <em>Bathers on the Seashore. <\/em>\u00a0Hazy and impressionistic it invites the listener to step into the water and be immersed in the waves of music.<\/p>\n<p>The piano quartet was recorded in November 2015 and the quintet in March 2016 at the Eugene Goossens Hall of the Australian Broadcasting Corporation in Ultimo, Sydney.<\/p>\n<p>If the chamber music of the Romantic era is your passion then <em>Brahms \u2013 Tones of Romantic Extravagance<\/em> is an erudite performance by experts and a worthy addition to the collecrion.<\/p>\n<p>Shamistha de Soysa or SoundsLikeSydney\u00a9<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ironwood, the Australian period instrument specialist ensemble has released a sumptuous new double album Brahms \u2013 Tones of Romantic Extravagance (ABC Classics),&hellip;<\/p>\n","protected":false},"author":1,"featured_media":22251,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[37],"tags":[],"sls_format":[],"class_list":["post-22250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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