{"id":22721,"date":"2017-03-13T17:14:26","date_gmt":"2017-03-13T06:14:26","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=22721"},"modified":"2017-03-13T17:14:26","modified_gmt":"2017-03-13T06:14:26","slug":"german-romantics-sydney-chamber-choir","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/?p=22721","title":{"rendered":"German Romantics \u2013 Sydney Chamber Choir"},"content":{"rendered":"<figure id=\"attachment_22722\" aria-describedby=\"caption-attachment-22722\" style=\"width: 160px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-22722 size-full\" src=\"https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2017\/03\/SamA.jpg\" alt=\"Sam Allchurch will conduct the Sydney Chamber Choir in April\" width=\"160\" height=\"160\" \/><figcaption id=\"caption-attachment-22722\" class=\"wp-caption-text\">Sam Allchurch will conduct the Sydney Chamber Choir in April<\/figcaption><\/figure>\n<p>Sydney Chamber Choir opens its 2017 concert series with a voyage through the deeply moving music of German Romanticism selected by young guest conductor, Sam Allchurch, whom conductor, music educator and Music Director of the Sydney Chamber Choir, \u00a0Richard Gill chose, to conduct and program its first concert for 2017.<\/p>\n<p>The rich beauty of German choral music is celebrated in this special program, from the eloquence of Mendelssohn, the delicacy of Schubert and resonant harmonies of Brahms and Bruckner, to Schoenberg\u2019s passionate and powerful plea for peace on earth.<\/p>\n<p>Inspired by nature, the unexplored paths of dreams and a deep awe of the divine, the German Romantics opened up choral music to unlimited horizons of both grandeur and intimacy.<\/p>\n<p>\u201cI\u2019ve been touched by this music\u2019s beauty since playing the organ at Sydney Grammar School and later by my association with Geoffrey Webber at Cambridge,\u201d said Sam Allchurch, who graduated in music from Melbourne and Cambridge universities. \u00a0\u201cWe all know the masters of German music but their heart-felt choral music deserves to be better heard; and the rich sound and detailing of these 34 fantastic voices of the Sydney Chamber Choir do it perfect justice.\u201d<\/p>\n<p>An alumnus of the Sydney Children\u2019s Choir, Sam Allchurch also conducts its Gondwana Young Men\u2019s Choir working with teenage singers whose voices have or are changing, and recently the famed Trinity College Choir in Melbourne.<\/p>\n<p>Pianist Jem Harding, a regular collaborator with Allchurch and Gondwana, is performing in three key works of <em>German Romantics<\/em>, including a Mendelssohn piano solo.<\/p>\n<p>The Sydney Chamber Choir, now in its 42<sup>nd<\/sup> year, will also sing Bruckner\u2019s <em>Christus factus est<\/em>, other a capella works by Herzogenberg and Rheinberger, and conclude <em>German Romantics<\/em> with Schoenberg, as a harbinger of modernism to come.<\/p>\n<p>\u201cThis is the chance to dive into such emotionally intense music when composers threw off old conventions of balance and restraint to seek new personal ways to communicate feeling.\u00a0 My whole career has been devoted to researching and studying different choral musicians to produce such a concert as this,\u201d says Sam.<\/p>\n<p>He continues &#8220;This program was inspired by my work with Geoffrey Webber when I was a graduate student at Cambridge University. Geoffrey had recently recorded a disc of German romantic music with the Choirs of Gonville and Caius College Cambridge and Kings College London and I fell in love with the rich sound of 40 voices of highly-skilled singers performing this emotionally intense music.<\/p>\n<p>When I was to propose a program for Sydney Chamber Choir, it seemed like an ideal opportunity to explore the German romantics \u2013 a genre not particularly often performed in choral concerts in Australia.<\/p>\n<p>The program traces the development of the unaccompanied choral motet in the nineteenth century, beginning with Mendelssohn, then moving on to Brahms and finishing with Schoenberg, with several diversions along the way. In these choral works, both Mendelssohn and Brahms look back to older styles of music \u2013 to Bach and the renaissance masters respectively. And Schoenberg\u2019s <em>Friede auf Erden<\/em>, the final work in the program, is at once progressive and retrospective: composed in 1913, the work teeters on the edge of romantic musical expression and pushes the edge of tonality in a fascinating way. Both subject matter (the search for world peace) and its form, it is a bit like a miniature version of a symphony of Gustav Mahler.<\/p>\n<p>I\u2019m delighted to be joined in the journey by my friend and colleague Jem Harding who will accompany the choir and play Mendelssohn\u2019s Rondo capriccioso Op.40.&#8221;<\/p>\n<p>The programme:\u00a0MENDELSSOHN Richte mich, Gott Op.78 \/\u00a0Mein Gott, warum hast du mich verlassen? Opus 78\/ \u00a0 \u00a0\u00a0SCHUBERT Gott ist mein Hirt * \u00a0\/ \u00a0MENDELSSOHN \u00a0Rondo capriccioso Op.14 (Jem Harding, piano) \/ HERZOGENBERG \u00a0 Meine seele erhebt den Herrn Op.81 \u00a0\/ \u00a0BRAHMS \u00a0Warum ist das Licht gegeben M\u00fchseligen? Op.74\/ Wie lieblich sind deine Wohnungen from Ein deutsches Requiem *<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/p>\n<p><strong><em>Interval<\/em><\/strong><\/p>\n<p>BRUCKNER \u00a0 \u00a0Christus factus est \u00a0\/\u00a0RHEINBERGER Ich liebe, weil erh\u00f6ret der Herr Op.40 \/\u00a0BRAHMS Schaffe in mir Gott, ein rein Herz Op.29 \/\u00a0HERZOGENBERG Heilig ist Gott Op.81 \/ BRAHMS \u00a0 Geistliches Lied Op.30 \/ SCH\u00d6NBERG \u00a0 Friede auf Erden Op.13<\/p>\n<p>*\u00a0 with Jem Harding, piano<\/p>\n<p><a href=\"http:\/\/www.sydneychamberchoir.org\/tickets\">Click here<\/a> to book.<\/p>\n<p><em><a href=\"https:\/\/soundslikesydney.com.au\/news\/emerging-conductor-makes-his-mark-with-sydney-chamber-choir\/22798.html\">Read our interview with Sam Allchurch.<\/a><\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sydney Chamber Choir opens its 2017 concert series with a voyage through the deeply moving music of German Romanticism selected by young&hellip;<\/p>\n","protected":false},"author":1,"featured_media":22722,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"sls_format":[],"class_list":["post-22721","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-shows"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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