{"id":29051,"date":"2021-04-26T11:56:10","date_gmt":"2021-04-26T01:56:10","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=29051"},"modified":"2021-04-26T11:56:10","modified_gmt":"2021-04-26T01:56:10","slug":"album-review-erich-kleiber-staatskapell-berlin-berlin-philharmoniker-eloquence-remaster","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/?p=29051","title":{"rendered":"Album Review: Erich Kleiber\/\u00a0Staatskapelle Berlin\/Berlin Philharmoniker\/ Eloquence Remaster"},"content":{"rendered":"\n

Erich Kleiber\/ Staatskapelle Berlin\/Berlin Philharmoniker<\/em><\/p>\n

The Complete Polydor 78s \u2013 3 CD set (mono)<\/em><\/p>\n

Eloquence remastering of DG 484 2049<\/em><\/p>\n

Written by Randolph Magri-Overend\u00a0<\/em><\/p>\n

I am continually fascinated by the remastering of 78rpm disks into CDs. \u00a0The improvements that studio engineers have developed and the sounds they can extract from pockmarked grooves and needle skids (more like nails than needles) are almost miraculous. The fact that they can\u2019t translate those transfers and audio restorations into full-blown stereo is a minor inconvenience. It\u2019s an art and people like Mark Obert-Thorn should be congratulated.<\/p>\n

Obert-Thorn first came to prominence (as far as I\u2019m concerned, at least) when he performed his musical surgery with the re-incarnation of several Naxos recordings.\u00a0 This 3-CD set from Eloquence incorporates music by Mozart, Beethoven, Schubert, Mendelssohn, Rossini, Berlioz, Nicolai, Strauss II, Smetana and Dvor\u00e1k, all recorded between 1926 and 1929.\u00a0<\/p>\n

When re-inventing this album Obert-Thorn had no lack of challenges.\u00a0 The weakest part of the repertoire is Mozart\u2019s Overture to Idomeneo,<\/em> followed by his German Dances <\/em>which open the first CD. Originally recorded in 1926, Polydor used the \u2018Light Ray\u2019 system of their American licensee, Brunswick.\u00a0 Alas, it produced \u2018thin and distortion-ridden results and was abandoned the following year for the more natural-sounding Western Electric system\u2019.<\/p>\n

Other problems had to be overcome as well.\u00a0 Like a missing chord in Beethoven\u2019s 2nd<\/sup> Symphony and a combination of dropouts in sound and several distortions.\u00a0 However, there\u2019s a bonus: the1927 recording of Die Moldau f<\/em>rom Smetana\u2019s Ma Vlast <\/em>was re-recorded the following year. According to Obert-Thorn \u2018the principal difference in his [Kleiber\u2019s second recording] interpretation was a notably increased tempo when the theme returns in E major\u2019.<\/p>\n

Erich Kleiber was a highly nomadic conductor (by the way he was the father of Carlos Kleiber).\u00a0 Born in Austria in 1890, he studied in Prague and started as a repetiteur and much later (1923) became the conductor at the Berlin State Opera. He resigned in 1933 in protest at the Nazis\u2019 oppressive regime, and based himself in Buenos Aires. Principally, the Nazis objected to Kleiber\u2019s championing of Berg\u2019s opera Lulu<\/em>.\u00a0 Nevertheless, he had a hand in the formation of the Royal Opera in London and on his return to the Berlin State Opera in the1950s, he again resigned when he had problems with the East German communist hierarchy.<\/p>\n

He was a dynamic conductor of Mozart, Beethoven, Smetana and Dvor\u00e0k and he renewed his encouragement of Alban Berg by premiering Wozzek<\/em>.\u00a0 He died suddenly in Zurich in 1956.<\/p>\n

Kleiber\u2019s energy was boundless.\u00a0 His interpretation of Mozart I found disappointing, but that is because of the lacklustre recording.\u00a0 His Beethoven, especially the finale of the 2nd<\/sup> Symphony<\/em>, is superb, the scherzo from Mendelssohn\u2019s A Midsummer\u2019s Night Dream i<\/em>s excellent, the Carnival Overture<\/em> by Berlioz is forcefully delightful and you can\u2019t wish to hear a more superlative Symphony #9\u00a0 \u2018From the New World\u2019<\/em> by Antonin Dvor\u00e1k. \u00a0<\/p>\n

Very highly recommended!<\/p>\n

About Randolph Magri-Overend<\/em><\/p>\n

“When I first set foot on the Sydney Opera House stage to act in Boris Godunov in late 1979, I hoped my Nannu Gusi was taking note from up above. He was the driving force behind my love for classical music, especially opera. Since that first step I played out my fantasies many a time in other operas.\u00a0 At the time I was trying to make it as a classical singer\u2026even a young Simone Young was my coach.\u00a0 But I was never successful and later in life I became a \u2018disc jockey\u2019 for the likes of Fine Music (amongst others).\u00a0 I also wrote reviews, programmes and wrote articles for their magazine.\u00a0 I hope I can share the joy I harbour for music with you.”<\/em><\/p>\n

\u00a0<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

Very highly recommended!<\/p>\n","protected":false},"author":1,"featured_media":29052,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[],"sls_format":[],"class_list":["post-29051","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"\nAlbum Review: Erich Kleiber\/\u00a0Staatskapelle Berlin\/Berlin Philharmoniker\/ Eloquence Remaster - Sounds Like Sydney<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soundslikesydney.com.au\/?p=29051\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Album Review: Erich Kleiber\/\u00a0Staatskapelle Berlin\/Berlin Philharmoniker\/ Eloquence Remaster - 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