{"id":29084,"date":"2021-05-03T13:48:18","date_gmt":"2021-05-03T03:48:18","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=29084"},"modified":"2021-05-03T13:48:18","modified_gmt":"2021-05-03T03:48:18","slug":"the-art-of-monody-jenny-eriksson-writes","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/the-art-of-monody-jenny-eriksson-writes\/","title":{"rendered":"The Art of Monody &#8211; Jenny Eriksson Writes"},"content":{"rendered":"\n<p><em>Image Susie Bishop, Tommie Andersson and Jenny Eriksson<\/em><\/p>\n<p>For more than 30 years now I have been exploring the music of the <em>French<\/em> baroque, and particularly the music of that era written for the viola da gamba. This is not the kind of artistic passion that brings with it a huge audience, but it is my calling!<\/p>\n<p>Although I trained in Europe, I live in Australia and I have always sought to engage with my country of origin and the music of our times, not just that written hundreds of years ago. I am part of the Historically Informed Performance (HIP) movement, but I also look beyond it. This is the case with my acoustic ensemble, <em>The Marais Project<\/em>, my electric viola da gamba band, <em>Elysian Fields<\/em>, and with my Musica Viva in Schools group, <em>Da Vinci\u2019s Apprentice<\/em>. The latter, for example, tours a musical theatre work for children composed by the Australian composer, Sally Greenaway, \u00a0and performed on historic instruments \u2013 cornetto, theorbo, and viola da gamba. \u00a0<\/p>\n<p>Our next Marais Project concert, <em>The Art of Monody,<\/em> reflects my approach to the blending of old and new music. The title refers to a work written for us by Australian composer, Gordon Kerry, titled <em>Christchurch Monody<\/em>. The piece is a setting of texts from the books of Ecclesiastes from the Old Testament. <em>Christchurch Monody <\/em>is, according to Kerry, &#8220;A response to several recent appalling acts of violence.&#8221; We were supposed to premiere this important piece in 2020 but our season was cancelled. <strong>\u00a0<\/strong><\/p>\n<p>What is monody? Today we take the dominance of the solo voice for granted but it was not always so, in art music at least. Around 1600, Italian composers decided to break free from composing polyphony (complex music for many voices, often written for the church) and started to write for a single voice with instrumental accompaniment. This new style of music was called monody, \u2018mono\u2019 meaning one voice. It was the beginning of opera as we know it, but it was also the commencement of the kind of songcraft that developed during the baroque and classical eras and continues to this day. All of the songs we perform in <em>The Art of Monody<\/em> on May 16 are examples of this style.<\/p>\n<p>Gordon Kerry\u2019s world premiere is not the only Australian work we are presenting. Also on the program are two songs by Isaac Nathan &#8211; the early 19<sup>th<\/sup> century father of Australian music \u2013 called <em>The Aboriginal Mother<\/em> and <em>The Aboriginal Father<\/em>. These powerful songs, settings of poems by Eliza Hamilton Dunlop, channel the agony of two parents whose children and families were killed in the Myall Creek massacre. This event, which is still not widely known of, involved the murder of at least twenty-eight unarmed Aboriginals by twelve settlers on 10 June 1838 at the Myall Creek near the Gwydir River, in northern New South Wales. After two trials, seven of the twelve were found guilty of murder and hanged. One evaded arrest and was never tried.<\/p>\n<p>The first stanza of the nine comprising the Aboriginal Mother is below:<\/p>\n<p><em>Oh! hush thee \u2014 hush my baby,<br \/>I may not tend thee yet.<br \/>Our forest home is distant far,<br \/>And midnight\u2019s star is set.<br \/>Now, hush thee \u2014 or the pale-faced men<br \/>Will hear thy piercing wail,<br \/>And what would then thy mother\u2019s tears<br \/>Or feeble strength avail!<\/em><sup>\u00a0<\/sup><\/p>\n<p>After the poem was published in 1841, it was criticised by the newspaper, the <em>Sydney Herald<\/em>. In response, Dunlop wrote to the editor explaining why she felt her views were correct. This would not be the first or the last time that those who dared shine a light on injustices to Aboriginal peoples were taken to task in the media. <em>The Aboriginal Mother<\/em> was first performed in October 1841 by Isaac Nathan\u2019s daughter, Rosetta,<\/p>\n<p>At <em>The Art of Monody<\/em> I will also give the live premiere of Paul Cutlan\u2019s <em>Sarabande<\/em>, which appears on The Marais Project\u2019s new <em>Two<\/em> recording.<\/p>\n<p>Early music is NOT neglected, however, and never will be at a Marais Project performance. There is a suite by Marin Marais, an aria by the Italian master, Monteverdi, as well Tommie Andersson\u2019s arrangement for gallichon (bass lute) of pieces from Handel\u2019s <em>The Musical Clock<\/em> which can also be heard on <em>Two.<\/em> We close with Llew and Mara Kiek\u2019s version of <em>The Streets of Forbes<\/em>\u00a0which we commissioned years ago. This folksong tells the story of the infamous Australian bushranger, Ben Hall and fits nicely with Nathan\u2019s songs.<\/p>\n<p>I realise that this is not a conventional early music concert, but then we are not living in conventional times!<\/p>\n<p><em>Jenny Eriksson<\/em><\/p>\n<p><em>The Marais Project<\/em><\/p>\n<p><em>SoundsLikeSydney<\/em><\/p>\n<p>More about the concert <a href=\"https:\/\/soundslikesydney.com.au\/event\/the-marais-project-the-art-of-monody\"><em>The Art of Monody<\/em>.<\/a><\/p>\n<p>Read our review of The Marais Projects new album <a href=\"https:\/\/soundslikesydney.com.au\/reviews\/album-review-two-the-marais-project\/29028.html\"><em>Two.<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jenny Eriksson, founder and artisitic director of The Marais Project, writes about their upcoming concert. &#8216;The Art of Monody.&#8217;<\/p>\n","protected":false},"author":1,"featured_media":29088,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"tags":[],"sls_format":[],"class_list":["post-29084","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Art of Monody - Jenny Eriksson Writes - Sounds Like Sydney<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soundslikesydney.com.au\/the-art-of-monody-jenny-eriksson-writes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Art of Monody - Jenny Eriksson Writes - Sounds Like Sydney\" \/>\n<meta property=\"og:description\" content=\"Jenny Eriksson, founder and artisitic director of The Marais Project, writes about their upcoming concert. &#039;The Art of Monody.&#039;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/soundslikesydney.com.au\/the-art-of-monody-jenny-eriksson-writes\/\" \/>\n<meta property=\"og:site_name\" content=\"Sounds Like Sydney\" \/>\n<meta property=\"article:published_time\" content=\"2021-05-03T03:48:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/soundslikesydney.com.au\/wp-content\/uploads\/2021\/05\/DSC_7262.1-scaled-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1712\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/soundslikesydney.com.au\\\/the-art-of-monody-jenny-eriksson-writes\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/soundslikesydney.com.au\\\/the-art-of-monody-jenny-eriksson-writes\\\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/soundslikesydney.com.au\\\/#\\\/schema\\\/person\\\/0a3852eddeb5f8e3971a7ee828b5176e\"},\"headline\":\"The Art of Monody &#8211; 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