{"id":32391,"date":"2024-08-28T10:01:01","date_gmt":"2024-08-28T00:01:01","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=32391"},"modified":"2024-08-28T10:01:01","modified_gmt":"2024-08-28T00:01:01","slug":"simone-young-unveils-sydney-symphony-orchestra-2025","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/?p=32391","title":{"rendered":"Simone Young Unveils Sydney Symphony Orchestra 2025"},"content":{"rendered":"

Unveiling the Sydney Symphony Orchestra\u2019s 2025 program, Chief Conductor Simone Young affirms that \u201cMusic is all about connection.\u201d Entering her fourth year at the helm of the orchestra, Young is in Sydney between conducting Ring Cycles<\/em> at the Bayreuth Festival Opera House, the first Australian and woman to do so. She is excited about forging new connections whilst maintaining established ones and inviting a deep engagement with the upcoming program adding \u201cWe reconnect with great works and great artists and make new connections with rising stars and less familiar masterpieces.\u201d<\/p>\n

The Sydney Symphony Orchestra\u2019s 2024 program has contained an embarrassment of riches with Young conducting Mahler\u2019s Symphony No 5 <\/em>in the season opener, followed by other highlights conducting Schoenberg\u2019s Gurrelieder,<\/em> Mozart, Schumann and a concert production of Wagner\u2019s Die Walk\u00fcre. <\/em>Stellar solo artists included V\u00edkingur \u00d3lafsson playing the Goldberg Variations<\/em>, Notre Dame\u2019s titular organist Olivier Latry, violinist Augustin Hadelich and cellist Matthew Barley. Principal Guest Conductor Donald Runnicles is a major presence, Osmo V\u00e4nsk\u00e4 conducted Sibelius and Vassily Petrenko will conduct Stravinsky in November. There was also Baroque repertoire, chamber music, contemporary, Indigenous and children\u2019s fare.<\/p>\n

The 2025 season is no less engaging. Its 44 concert programs will include Australian and international artists from around the world, 11 Sydney Symphony debuts and seven world premieres. This fourth season with the orchestra is the first year of a two-year extension of Young\u2019s tenure. \u201cI\u2019m having a great time with the orchestra and they seem to be a great time with me. So long may it last\u201d she quips at an informal presentation of the season.<\/p>\n

The trend of opening the year with a Mahler symphony will continue with the third symphony as the curtain raiser in February. On that bill is a familiar name from the 2023 concert version of Das Rheingold. <\/em>Says Young, \u201cYou will remember a tall, beautiful, statuesque woman who appeared about ten minutes before the end as Erda and walked through the orchestra, came to the front and just astonished everybody with the beauty of her singing. Well, that\u2019s Noa Beinart.\u201d As well as performing under Young in Mahler\u2019s Symphony No.3<\/em>, Beinert will return in November 2025 to sing in Siegfried <\/em>with Young. So impressed with Beinert is Young that she asked the contralto to audition for Bayreuth where she will be singing in Young\u2019s Ring Cycle<\/em> there in 2024.<\/p>\n

The third of Wagner\u2019s Ring Cycle<\/em> operas, Siegfried, <\/em>a concertante production sees the return of soprano Samantha Clarke and baritone Wolfgang Koch from Das Rheingold<\/em> in 2023 with other Antipodean stars Warwick Fyfe, Simon O\u2019Neill and Teddy Tahu Rhodes. The production will introduce soprano Anje Kampe and tenor Gerhard Siegel to Sydney audiences. This ensemble encapsulates what Young believes about her casting in creating continuity and building relationships with performers. She explains, \u201cI feel very strongly that the audience wants to create relationships with its orchestra and the orchestra\u2019s soloists and the guest artists who come to the city, not just the Chief Conductor and the Principal Guest Conductor. I want to pick two or three of the best (soloists)<\/em> and create a relationship with them and with the audience.\u201d<\/p>\n

Hard to believe, but Young has never conducted a performance of Beethoven\u2018s Symphony No. 9<\/em> in Australia. Redressing this breach, she will conduct a quartet of Antipodeans comprising Clarke, mezzo-soprano Deborah Humble, O\u2019Neill and bass Samuel Dundas in her November Australian debut of this masterwork.<\/p>\n

The year also presents the opportunity to hear young stars like violinist Christian Li and pianist Eva Gevorgyan, legends like Sir Stephen Hough, Lang Lang, Daniil Trifonov and Marc-Andr\u00e9 Hamelin, cellists Daniel M\u00fcller-Schott and Li-Wei Qin and violinist James Ehnes.\u00a0Sir Donald Runnicles continues in his role as Principal Guest Conductor and Benjamin Northey will be Conductor in Residence for 2025 and 2026, supporting the Schools, Emerging Artists and Regional Touring Progams along with conductor development.<\/p>\n

The SSO boasts numerous ensemble players who are soloists in their own right. Celebrating his 50th<\/sup> birthday, Concertmaster Andrew Haveron, who previously led the BBC Symphony Orchestra, will perform Elgar\u2019s Violin Concerto, <\/em>Associate Concertmaster Harry Bennetts will play Beethoven\u2019s Violin Concerto<\/em>\u00a0 conducted by Umberto Clerici and trumpeter Dave Elton will feature in Jan\u00e1\u010dek\u2019s Sinfonietta <\/em>conducted by Young, alongside Dvo\u0159\u00e1k\u2019s Cello Concerto<\/em> featuring Kian Soltani, described by Young as a \u201cmagnificent soloist resident in Vienna, who came to the fore through his relationship with Daniel Barenboim and Daniel\u2019s son Mischa with whom he played in a trio for a while. Originally from Daniel\u2019s East West Divan Orchestra, Daniel\u2019s orchestra that brings Palestinian and Israeli musicians together (which is)<\/em> more important than ever now, Kian is one of the most exciting cellists in the world today. I\u2019ve worked with him twice and it\u2019s been a joy both times. He\u2019s quite extraordinary and I fully expect Sydney to totally fall in love with him.\u201d<\/p>\n

There will be music for smaller forces with chamber and solo recitals in the Utzon Room and the City Recital Hall. Australian composers will be showcased in ten programs including the last stages of the 50 Fanfares Commission which will give a platform to music by Carl Vine, Ian Grandage, Bree Van Reyk and Kate Moore amongst others. Music by Brenda Gifford, Christopher Sainsbury, Nardi Simpson and Aaron Wyatt will be showcased in The Sounds of Australia <\/em>as William Barton creates a new commission to accompany Beethoven\u2019s Symphony 9, <\/em>a challenging task as, says Young, \u201cBeethoven\u2019s ninth symphony is such an item for itself that anything you put before it feels unnecessary unless it\u2019s going to make a strong statement and who better to give us that than Will. He\u2019s already listening to it while he goes on long walks. Not that he\u2019s going to try and create something like it, but he wants to create his own response to this music and something that speaks to a contemporary audience about this music. I think that\u2019s pretty exciting.\u201d There will be special collaborations with the regional Signature Choir in Mana Moana <\/em>conducted by Jessica Gethin and singer songwriter Kutcha Edwards in Ngarli-Wangu.<\/em><\/p>\n

Young\u2019s concept of \u2018connection\u2019 is a potent starting point for the 2025 SSO program which then bursts into a flow chart of elite performances from familiar artists and new and repertoire that will please, challenge and develop the art of symphonic music in its many facets.<\/p>\n

It\u2019s not only Bayreuth where Young has graced the podium recently. She has wielded her baton conducting Vaughan Williams with the Los Angeles Philharmonic and soon she will conduct the Berlin Philharmonic Orchestra, the Concertgebouw in Amsterdam and the New York Philharmonic. Young brings her invaluable first-hand knowledge of artists, repertoire and development to the SSO along with her championing of Australian music and musicians. Long indeed may it continue.<\/p>\n

More at https:\/\/www.sydneysymphony.com\/<\/a><\/em><\/p>\n

Shamistha de Soysa for SoundsLikeSydney\u00a9<\/em><\/p>\n

Read our review of the SSO’s The Protecting Veil. <\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

The Sydney Symphony Orchestra\u2019s 2025 program is all about connection says Simone Young as she enters her fourth year as its Chief Conductor.<\/p>\n","protected":false},"author":1,"featured_media":32393,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"sls_format":[],"class_list":["post-32391","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"\nSimone Young Unveils Sydney Symphony Orchestra 2025<\/title>\n<meta name=\"description\" content=\"The Sydney Symphony Orchestra\u2019s 2025 program is all about connection says Simone Young as she enters her fourth year as its Chief Conductor.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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