{"id":4922,"date":"2011-10-03T18:32:49","date_gmt":"2011-10-03T07:32:49","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=4922"},"modified":"2011-10-03T18:32:49","modified_gmt":"2011-10-03T07:32:49","slug":"sydney-camerata-grows-with-metamorphosen","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/sydney-camerata-grows-with-metamorphosen\/","title":{"rendered":"Sydney Camerata grows with metamorphosen"},"content":{"rendered":"
\"\"
Sydney Camerata<\/figcaption><\/figure>\n

Last week, Sydney Camerata commemorated its third anniversary with a concert they called Metamorphosen,<\/em>which culminated in the eponymous\u00a0work for 23 strings by Richard Strauss.<\/p>\n

The resonant intimacy of North Sydney’s Independent Theatre was well\u00a0suited to\u00a0the size and sound of this ensemble, which chameleon like re-configures itself to\u00a0adapt to what\u00a0is being performed.<\/p>\n

Opening the concert with Frank Bridge’s 3 Idylls for String Quartet <\/em>was the Sydney Camerata String Quartet comprising Freya Franzen and Clare Miller, violins,\u00a0Neil Thompson, viola and founder of the ensemble,\u00a0cellist Mathisha Panagoda. Their technical and musical\u00a0talent is undisputed.\u00a0But this was an especially informed performance because earlier this year,\u00a0several of the musicians travelled to Aldeburgh, on the east coast of England, home of Benjamin Britten to participate in the workshops run by the\u00a0Britten-Pears Young Artist Programme. In fact, this year, the entire Australian string contingent of the Britten-Pears orchestra was made up of Sydney Camerata players. Immersed in ‘Brittenalia’ , the programme focuses on workshopping the music of Britten and of those around him.<\/p>\n

Frank Bridge was Britten’s very first composition teacher, long before Britten went to study at the the Royal College of Music in London. The two had much in common – they held\u00a0similar political views, they were both pacifists, and they both played the viola. When Britten and Peter Pears set sail for Canada in 1939, Bridge saw them off and presented Britten with his own, fine Italian viola, wishing them not only bon voyage<\/em>, but bon retour<\/em> as well, since Britten and Pears were finding the\u00a0prevailing\u00a0social atmosphere in England uncomfortable. Bridge, then aged 60, died two years later without every meeting his protege again.<\/p>\n

Concert Master of Sydney Camerata, Liz Gormley,\u00a0then took the stage with guest artist and Associate Principal oboist of the Sydney Symphony Orchestra Shefali Pryor and ripieno <\/em>Camerata section for an energised performance of JS Bach’s Concerto for Oboe and Violin BWV 1060.<\/em><\/p>\n

Fulfilling their mission to nurture the development of Australian composers, Sydney Camerata formed themselves into the unusual mix of\u00a0a septet with mezzo-soprano Anna Dowsley, conducted by\u00a0Luke Gilmour,\u00a0to perform Andrew Howes’\u00a0 ‘3 Pieces\u00a0after Yeats’. <\/em>Howes is a graduate of the Conservatorium High School in Sydney, and is presently studying composition at the Royal College of Music in London, on a full scholarship.<\/p>\n

Finally, the climax of the evening with Strauss’ Metamorphosen.\u00a0<\/em> This\u00a0epic and\u00a0poignant symphonic poem is\u00a0\u00a0resplendent with\u00a0Strauss’\u00a0endlessly\u00a0cascading phrases and brocade of harmonies.\u00a0It was written in 1943\u00a0as a testament to loss – his own advancing years ( he was to die 2 years later) and\u00a0the devastation of German culture during World War\u00a0ll.\u00a0\u00a0Strauss was particularly distraught by the bombing of the Bavarian National Theatre, home\u00a0of the State Opera, where Strauss himself was principal conductor from 1894 to 1898. It was\u00a0also the venue of the premiere of his opera Capriccio, <\/em>and of Wagner’s Tristan and Isolde, The Mastersingers<\/em> and Die Walkyrie.<\/em>For Metamorphosen<\/em>, Sydney Camerata was augmented by several fine young musicians from interstate.<\/p>\n

\u00a0There was a palpable sense of personal\u00a0loss and anguish in their playing\u00a0as the ensemble dedicated their performance to\u00a0violinist\u00a0Richard Pollett who was tragically killed in a road accident earlier during the week.\u00a0 The 25 year old, was\u00a0a finalist in the ABC Symphony Australia Young Performers Awards last year and was a friend and mentor to several of the players.<\/p>\n

Sydney Camerata is no average 3 year old.\u00a0In 2010 the core ensemble won the Music Viva Award for Chamber Music; they have made recordings, run their own concert series and perform regularly\u00a0with other ensembles.\u00a0With their\u00a0abundance of talent, innovative programming, ambition and ability to work at full pace, it will be a pleasure to watch them mature.<\/p>\n

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Last week, Sydney Camerata commemorated its third anniversary with a concert they called Metamorphosen,which culminated in the eponymous\u00a0work for 23 strings by…<\/p>\n","protected":false},"author":1,"featured_media":4934,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[37],"tags":[],"sls_format":[],"class_list":["post-4922","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"\nSydney Camerata grows with metamorphosen - Sounds Like Sydney<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soundslikesydney.com.au\/sydney-camerata-grows-with-metamorphosen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sydney Camerata grows with metamorphosen - 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