{"id":7149,"date":"2012-04-03T00:46:36","date_gmt":"2012-04-02T14:46:36","guid":{"rendered":"http:\/\/soundslikesydney.com.au\/?p=7149"},"modified":"2012-04-03T00:46:36","modified_gmt":"2012-04-02T14:46:36","slug":"unlikely-partners-create-an-ideal-tension-the-song-company-tears-of-st-peter","status":"publish","type":"post","link":"https:\/\/soundslikesydney.com.au\/unlikely-partners-create-an-ideal-tension-the-song-company-tears-of-st-peter\/","title":{"rendered":"Unlikely partner creates an ideal tension – The Song Company ‘Tears of St Peter’"},"content":{"rendered":"

\"\"<\/strong><\/em><\/p>\n

The Tears of St Peter<\/strong><\/em><\/p>\n

The Song Company, <\/em>Artistic Director Roland Peelman, Satsuki Odamura, koto, <\/em><\/p>\n

The crypt of St Mary’s Cathedral, Monday April 2nd 8 pm.<\/em><\/p>\n

At first, it seemed incongruous to include the Japanese koto <\/em>in The Song Company’s present programme of Orlando di\u00a0Lasso’s Lagrime di San Pietro (The Tears of Peter) <\/em>performed in the crypt of St Mary’s Cathedral in Sydney.\u00a0There seemed to be little connection between the two.\u00a0It turned out to be a stroke of genius.<\/p>\n

Under the unwavering and unobtrusive direction of Roland Peelman, the singers – sopranos Susannah Lawergren and Anna Fraser, mezzo-soprano Lanneke Jones, tenor Richard Black, baritone Mark Donnelly and bass Clive Birch –\u00a0were joined by guest baritone Koen Vanstaede, and\u00a0virtuoso Satsuki Odamura on koto<\/em> and bass koto,<\/em> to perform Orlando di Lasso’s cycle of 21 sacred madrigals, his final composition,\u00a0for which he used the stanzas of\u00a016th century poet Luigi Tansillo.<\/p>\n

The intrinsic\u00a0division of the madrigals into groups of three, offered breaks in the narrative during which\u00a0Odamura performed interludes on the kotos, <\/em>improvised, but\u00a0developed from the preceding\u00a0musical themes. It was a perfect foil for\u00a0intensifying the drama.<\/p>\n

The Tears of Peter\u00a0<\/em>is based on the Biblical tale of St Peter’s denial of Christ at the time of His arrest. Yet,\u00a0it is more than a simple tale, as the text and the music take us through confrontation, accusation, St Peter’s agony\u00a0as he lives with regret and shame, and finally, redemption. The tale is wrapped in an\u00a0uneasy coil of\u00a0tension,\u00a0perfectly depicted by the\u00a0sounds of the plectrum\u00a0on the koto strings. Whilst the koto is capable of making the gentlest of sounds, in this performance Odamura\u00a0created percussiveness, dissonance, crunchy modal\u00a0cadences\u00a0and\u00a0edgy glissandi <\/em>which craved resolution\u00a0in the way that\u00a0St Peter would have craved release from his guilt and shame.<\/p>\n

As always, The Song Company delivered a gorgeous but disciplined\u00a0sound and a stylistically informed performance.\u00a0They were sensitive to the\u00a0stony acoustic and the smaller space, avoiding\u00a0the sonic swirl\u00a0that can result from\u00a0reverberation that echos back and forth.\u00a0The more intimate space\u00a0suited the sound of the kotos, allowing the homophonic detail to be heard, but allowing\u00a0layers of\u00a0sound to be piled\u00a0on and to grow\u00a0when many strings were strummed and\u00a0families of\u00a0strings vibrated in sympathy.<\/p>\n

Acoustics apart, the crypt of St Mary’s Cathedral is the perfect venue for this repertoire. The audience is embraced by\u00a0its network of\u00a0vaulted arches which mirror, to quote Roland Peelman’s programme notes Lasso’s ‘frequent imitation, inner dialogue….and broad harmonic arch”.<\/p>\n

Roland Peelman’s informal al fresco<\/em> pre-concert talk allowed insights into his understanding of the work and his realisation of it. The programme notes are robust and contain the full text of the stanzas.<\/p>\n

Sydney is indeed fortunate to have an ensemble of this depth of talent and breath of\u00a0intellect.<\/p>\n

Shamistha de Soysa for Sounds Like Sydney<\/p>\n

The Song Company performs The Tears of St Peter in the crypt of St Mary’s Cathedral, on Tuesday the 3rd and Wednesday the 4th\u00a0of April at 8 pm.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

The Tears of St Peter The Song Company, Artistic Director Roland Peelman, Satsuki Odamura, koto, The crypt of St Mary’s Cathedral, Monday…<\/p>\n","protected":false},"author":1,"featured_media":7152,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[37],"tags":[],"sls_format":[],"class_list":["post-7149","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"acf":{"deck":"","is_featured":false,"media_type":"standard","audio_embed":"","video_url":""},"yoast_head":"\nUnlikely partner creates an ideal tension - The Song Company 'Tears of St Peter' - Sounds Like Sydney<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soundslikesydney.com.au\/unlikely-partners-create-an-ideal-tension-the-song-company-tears-of-st-peter\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Unlikely partner creates an ideal tension - 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