The impossibly perfect tenor Jonas Kauffman in a recent interview with The Guardian. In June he sings in a gala concert at the Royal Albert Hall with Anna Netrebko and ErwinSchrott, and also at Covent Garden in Les Troyens.
http://www.guardian.co.uk/music/2012/apr/05/jonas-kaufmann-tenor-great-pretender
Under its Chief Conductor David Robertson, the Sydney Symphony Orchestra presents a stunning live account of three seminal works by Stravinsky – The Firebird, Petrushka and The Rite of Spring on a 2 CD release from ABC Classics. Stravinsky first achieved international fame with these works, which were commissioned for – and first performed by –…
Clare Salaman is a British musicians who founded the Society of Strange and Ancient Instruments in 2010 “to explore a repertoire that ranges from folk songs and earthy dances to high art music from the 18th century and before, as well as newly composed pieces.” View this video from the BBC of some instruments in her unusual…
Gratitude and Grief ELIXIR Feat. Katie Noonan with Michael Leunig is a new album released today in which Katie Noonan and Elixir explore every nuance of Michael Leunig’s poetry. Elixir, one of Australia’s finest jazz trios led by five-time ARIA award-winning singer songwriter Katie Noonan, alongside National Jazz Award-winning Saxophonist/Composer Zac Hurren and Australia’s master of guitar Stephen Magnusson…
Opening tonight at the Joan Sutherland Opera Theatre – Opera Australia’s production of Gounod’s Faust, directed by David McVicar. Check out these images – scroll down to see all eight. Images courtesy Opera Australia
The legacy of Sir Charles Mackerras will be honoured in a new award created by the English National Opera, of which Sir Charles was director from 1970-1977. The first recipient is to be announced in April 2012. More at: http://www.gramophone.co.uk/classical-music-news/eno-announces-the-charles-mackerras-fellowship
“Because we live in a culture…… where visual stimuli are in the ascendant, sometimes at the cost of sound. Sound is no longer enough…… that music is a worthy pursuit in and of itself is…..being casually dismissed. Classical music now must aspire to offer spectacle – whether a particular piece can take it or not….