‘Nightingale’ reviewed
The review is out for ‘The Love of the Nightingale’!
http://www.smh.com.au/entertainment/opera/soaring-testament-to-power-of-music-20111023-1meez.html
The review is out for ‘The Love of the Nightingale’!
http://www.smh.com.au/entertainment/opera/soaring-testament-to-power-of-music-20111023-1meez.html
The uber–glamourous and precociously talented soprano Danielle de Niese returns to Australia, for performances around the nation. She was interviewd by Sharon Verghis of The Australian. Following the link to her interview are links to her blogs in ‘The Huffington Post’ http://www.theaustralian.com.au/arts/review/rising-opera-star-danielle–de–niese-is-set-to-stun/story-fn9n8gph-1226374852846 http://www.huffingtonpost.com/danielle–de–niese/the-case-for-making-recor_b_1220059.html http://www.huffingtonpost.com/danielle–de–niese/baroque-coming-out-party_b_1177726.html http://www.huffingtonpost.com/danielle–de–niese/inspired-to-inspire_b_1154608.html
Where: Adelaide Town Hall When: Tuesday 9 March 8 pm American countertenor Aryeh Nussbaum Cohen is just 26 years old, but is already one of the classical world’s most promising vocal stars. In 2021, he makes his Australian and role debuts as Oberon in Benjamin Britten’s fantasy opera A Midsummer Night’s Dream at the Adelaide…
This week, Richard Tognetti along with ACO2 and guest artists have packed their surf gear and travelled the country presenting The Reef. which comes to Sydney on Monday July 23rd. Back in Sydney, three core members of the Australian Chamber Orchestra are performing Schubert’s Trout Quintet and Messiaen’s Quartet for the End of Time with…
Maurice Ravel’s Bolero, written in 1928 and one of the world’s most recognisable pieces of classical music is out of copyright, and lies in the public domain, which means it is much more likely to be heard in a variety of contexts. Dreaded by snare drum players the world over, Ravel’s Bolero came to popular attention…
This is an absolutely fascinating animation from the New York Times of the connection between a conductor’s gestures, the responses of the musicians and the sounds that are created. Alan Gilbert, the music director of the New York Philharmonic talks it through: http://www.nytimes.com/interactive/2012/04/06/arts/music/the-connection-between-gesture-and-music.html?ref=classicalmusic#
For Musica Viva, Australia’s oldest independent professional performing arts organisation, music education and artist development have occupied an important role alongside the world-class concerts it has presented since 1945. Its schools programme is the largest in the nation and has reached thousands of school students across the country. Now Musica Viva has announced the appointment…