“No such thing as an ‘overnight success’ in opera” – Dame Kiri
Dame Kiri Te Kanawa is refreshingly honest about the trend to fast-track singers to classical singing without the vital technical foundations.
Click here to read The Guardian.
Dame Kiri Te Kanawa is refreshingly honest about the trend to fast-track singers to classical singing without the vital technical foundations.
Click here to read The Guardian.
The crisis in the Eurozone has its impact on funding for cultural activities. Matthew Westwood writes in The Australian http://www.theaustralian.com.au/arts/europes-spreading-culture-of-austerity/story-e6frg8n6-1226757588437
French countertenor Philippe Jaroussky admits to a little apprehension about taking to the stage with the Australian Brandenburg Orchestra this evening, on the opening night of an 8 concert tour to Sydney and Melbourne. An unusual admission for so seasoned a performer. Yet, it takes a rare strength and assuredness to admit to such vulnerability. Jaroussky…
The nominees fort he 2016 Helpmann Awards are out! There are 9 Opera and Classical music categories with 35 nominees from emerging artists like Jeremy Kleeman (nominated for Best Male Performer in a Supporting Role in an Opera) to Renee Fleming (Best Individual Classical Performance) and giants like Opera Australia (nominated in several categories), locking horns…
Percussionist Timothy Constable is to step down as Artistic Director of Synergy Percussion after 7 years in the role. He will pursue other creative opportunities in solo music, composition and with the Sydney Symphony Orchestra, as Ian Cleworth steps in as Interim Artistic Director of the ensemble. Timothy joined Synergy Percussion 14 years ago in 2003 when…
Melbourne born soprano Danielle de Niese is to perform in Sydney next year with the Australian Chamber Orchestra. De Niese is one of the few child “stars”who has been able to make the transition to respected adult performer with apparent ease.. She made her Glyndebourne bebut in 2005 as Cleopatra in Handel’s Giulio Cesare. More at: http://www.smh.com.au/entertainment/music/shes-got-the-looks-voice-and-a-homecoming-tour-20110828-1jg9x.html http://www.smh.com.au/entertainment/opera/sopranos-hometown-debut-20110828-1jgha.html
Opera Australia has announced that Shane Lowrencev has decided to withdraw from the incredibly demanding role of Hans Sachs in its upcoming production of Die Meistersinger von Nürnberg, opening in Melbourne on Tuesday 13 November. In a statement released this morning, the company stated “Shane feels exhausted and doesn’t want to compromise the production or…
The crisis in the Eurozone has its impact on funding for cultural activities. Matthew Westwood writes in The Australian http://www.theaustralian.com.au/arts/europes-spreading-culture-of-austerity/story-e6frg8n6-1226757588437
French countertenor Philippe Jaroussky admits to a little apprehension about taking to the stage with the Australian Brandenburg Orchestra this evening, on the opening night of an 8 concert tour to Sydney and Melbourne. An unusual admission for so seasoned a performer. Yet, it takes a rare strength and assuredness to admit to such vulnerability. Jaroussky…
The nominees fort he 2016 Helpmann Awards are out! There are 9 Opera and Classical music categories with 35 nominees from emerging artists like Jeremy Kleeman (nominated for Best Male Performer in a Supporting Role in an Opera) to Renee Fleming (Best Individual Classical Performance) and giants like Opera Australia (nominated in several categories), locking horns…
Percussionist Timothy Constable is to step down as Artistic Director of Synergy Percussion after 7 years in the role. He will pursue other creative opportunities in solo music, composition and with the Sydney Symphony Orchestra, as Ian Cleworth steps in as Interim Artistic Director of the ensemble. Timothy joined Synergy Percussion 14 years ago in 2003 when…
Melbourne born soprano Danielle de Niese is to perform in Sydney next year with the Australian Chamber Orchestra. De Niese is one of the few child “stars”who has been able to make the transition to respected adult performer with apparent ease.. She made her Glyndebourne bebut in 2005 as Cleopatra in Handel’s Giulio Cesare. More at: http://www.smh.com.au/entertainment/music/shes-got-the-looks-voice-and-a-homecoming-tour-20110828-1jg9x.html http://www.smh.com.au/entertainment/opera/sopranos-hometown-debut-20110828-1jgha.html
Opera Australia has announced that Shane Lowrencev has decided to withdraw from the incredibly demanding role of Hans Sachs in its upcoming production of Die Meistersinger von Nürnberg, opening in Melbourne on Tuesday 13 November. In a statement released this morning, the company stated “Shane feels exhausted and doesn’t want to compromise the production or…
The crisis in the Eurozone has its impact on funding for cultural activities. Matthew Westwood writes in The Australian http://www.theaustralian.com.au/arts/europes-spreading-culture-of-austerity/story-e6frg8n6-1226757588437
French countertenor Philippe Jaroussky admits to a little apprehension about taking to the stage with the Australian Brandenburg Orchestra this evening, on the opening night of an 8 concert tour to Sydney and Melbourne. An unusual admission for so seasoned a performer. Yet, it takes a rare strength and assuredness to admit to such vulnerability. Jaroussky…
The nominees fort he 2016 Helpmann Awards are out! There are 9 Opera and Classical music categories with 35 nominees from emerging artists like Jeremy Kleeman (nominated for Best Male Performer in a Supporting Role in an Opera) to Renee Fleming (Best Individual Classical Performance) and giants like Opera Australia (nominated in several categories), locking horns…
Percussionist Timothy Constable is to step down as Artistic Director of Synergy Percussion after 7 years in the role. He will pursue other creative opportunities in solo music, composition and with the Sydney Symphony Orchestra, as Ian Cleworth steps in as Interim Artistic Director of the ensemble. Timothy joined Synergy Percussion 14 years ago in 2003 when…
Melbourne born soprano Danielle de Niese is to perform in Sydney next year with the Australian Chamber Orchestra. De Niese is one of the few child “stars”who has been able to make the transition to respected adult performer with apparent ease.. She made her Glyndebourne bebut in 2005 as Cleopatra in Handel’s Giulio Cesare. More at: http://www.smh.com.au/entertainment/music/shes-got-the-looks-voice-and-a-homecoming-tour-20110828-1jg9x.html http://www.smh.com.au/entertainment/opera/sopranos-hometown-debut-20110828-1jgha.html
Opera Australia has announced that Shane Lowrencev has decided to withdraw from the incredibly demanding role of Hans Sachs in its upcoming production of Die Meistersinger von Nürnberg, opening in Melbourne on Tuesday 13 November. In a statement released this morning, the company stated “Shane feels exhausted and doesn’t want to compromise the production or…