Latest news

‘We regret to announce…..’

If you remember soprano Sumi Jo’s sudden departure from Sydney and the role of Lucia and the more recent cancellations of tours by Jessye Norman and Deborah Voigt, then you’re no stranger to the vagaries of casting in opera. Zachary Woolf of the New York Times takes a closer look: http://www.nytimes.com/2012/09/23/arts/music/karita-mattila-and-peter-gelb-on-cancellations.html?ref=music
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The ACO thrills at the Edinburgh Festival

  The Australian Chamber Orchestra has again impressed on the international stage with its performance at the Edinburgh Festival, an achievement whose significance is swelled by the knowledge that performing at this hallowed event is strictly at the invitation of Festival Director Jonathan Mills. With Richard Tognetti directing from the violin, the concert was simulcast on BBC3 and included works…
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Tuning a piano is good for your brain

  Having reported recently that an increasing number of pianos (in the US at least) are being dumped ( http://soundslikesydney.com.au/news/free-to-a-good-home-when-pianos-pass-their-use-by-date/8789.html), and that Australia is suffering a lack of piano tuners and training facilities for  them, (http://soundslikesydney.com.au/news/australia-out-of-tuners/9084.html) research has proven that working and training as a piano tuner produces specific adaptations in brain function that relate to the…
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Latest reviews

‘The Reef’ reviewed

Peter McCallum reviews the Australian Chamber Orchestra’s The Reef: http://www.smh.com.au/entertainment/music/dream-dashed-by-clanging-cymbals-20120724-22n2p.html