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singing and supper

This entertaining feature from the New York Times looks at the role of food in opera: http://www.nytimes.com/2012/05/09/dining/opera-singers-who-dine-as-part-of-the-show.html?_r=1
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‘The Voice’ – an academic voices her thoughts.

Dr Rowena Cowley, is a senior lecturer in voice and opera at the Sydney Conservatorium of Music and President of the Australian National Association of Teachers of Singing. She is also a friend of Sounds Like Sydney. She voices her thoughts on the hit Channel 9 star seeker show – The Voice: http://sydney.edu.au/news/84.html?newscategoryid=6&newsstoryid=9139C
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Sydney’s ‘House’ in Lego

If you thought you’d seen it all when Mattel released its Opera House Barbie doll, resplendent in ocean coloured mermaid dress with swirls of white, think again. Now Lego have released its vision of the Sydney Opera House as part of its Architect series, placing the distinctive building alongside others in this collection which includes New York’s Guggenheim Museum, the Burj Khalifa…
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Deconstructing the music degree at the ANU School of Music

Last week we learnt with horror of the slashes to the teaching programme at the ANU School of Music. As the School of Music’s own website acknowledges: “With over 1,200 graduates in its 45 year history, ANU School of Music alumni are scattered around Australia and the world, teaching, composing, performing and researching”. The school’s alumni…
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Latest reviews

La Traviata – the verdicts are rolling in

The highly anticipated production of La Traviata staged on Sydney harbour opened on Saturday night. This production has polarised opera lovers. Without doubt the performances are superlative and the concept of an open-air opera with the spectacle of Sydney harbour as a backdrop is irresistible. As to whether it is ‘opera’ – the verdicts on that proposition are rolling in. As pure entertainment…

‘Messiah’ at St James’ King Street: a listener’s perspective

  Whatever the diet of musicians in Handel’s time, his performers must certainly have had tremendous stamina. ‘Messiah’ as Handel intended, for a chamber sized ensemble is a massive test of endurance, requiring a technique that supports the power of the ‘Hallelujah Chorus’, the coloratura of ‘All we like sheep’ and the hushed sostenuto of ‘Since by man came death’. After all this comes the mighty…