Latest news
Hot off the press….Anne-Sophie Mutter reviews, the opera conference, ‘Red Dog’ the musical and Sondheim.
Reviews of AnneSophie Mutter with the SSO: http://www.smh.com.au/entertainment/review/gig/sydney-symphony-with-annesophie-mutter-20120401-1w6ed.html http://www.theaustralian.com.au/news/arts/intelligence-and-technique-combine-for-a-sublime-performance/story-e6frg8n6-1226315731944 The Opera Conference: http://www.theaustralian.com.au/news/arts/keeping-opera-on-song/story-fncypcd0-1226314701379 Red Dog has its day – as a musical: http://www.smh.com.au/entertainment/musicals/a-big-day-for-a-barking-idea-20120321-1vkf5.html Tim Teeman from The Times interviews Stephen Sondheim. Sondheim talks about his childhood and some of the experiences that have made his lyrics so incisive and his music so poignant: http://www.theaustralian.com.au/news/world/stephen-sondheim-is-back-on-the-bike-with-a-new-musical/story-fnb64oi6-1226312296318
More soloists announced for Sappho
In November last year, Sounds Like Sydney published an interview with emerging conductor Jennifer Condon, presently working as Souffleuse at the Hamburg State Opera. http://soundslikesydney.com.au/wp-admin/post.php?post=5917&action=edit She has however, a burning ambition which has dictated much of how she has spent her time for past 10 years: she wants to bring to life Sappho, the…
opera update….an new name for the opera theatre
How did this get past us??! The opera theatre of the Sydney Opera House will be named in honour of Dame Joan Sutherland: http://www.smh.com.au/entertainment/opera/theatre-rename-honours-la-stupenda-as-house-awaits-la-traviata-20120316-1vanu.html An update on La Traviata on Sydney Harbour: http://www.smh.com.au/entertainment/opera/nervous-wait-for-opera-australia-as-weather-plays-its-part-20120328-1vyla.html
Dancing with the piano – Zubin Kanga performs in London
Pianist Zubin Kanga recently performed a programme of ‘new music’ in London. It involved ideas that brooked traditional concepts of how the instrument is played. Read more at: http://www.icareifyoulisten.com/2012/03/piano-insideout-zubin-kanga-kings-place-london/
Jonathan Lemalu learns a libretto in a new language
Grammy Award winning New Zealand born bass-baritone Jonathan Lemalu (he’s sung Leporello in Mozart’s Don Giovanni for OA in Sydney) has had to meet a new challenge – that of learning a libretto in Chinese. He talks about it in this blog. (The Grammy Award was in 2010 for Best Opera Recording Billy Budd) http://www.guardian.co.uk/music/musicblog/2012/mar/26/learning-to-sing-chinese-songs
Quotas on overseas singers: another view
Baritone Peter Coleman-Wright offers a view on the suggestion by OA artitic director Lyndon Terracini that quotas be lifted on the hiring of non-Australian singers: http://www.theaustralian.com.au/news/arts/cast-operas-with-the-singers-you-have-baritone/story-fn9d2mxu-1226312053899
Latest reviews
…and another review
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian: http://www.theaustralian.com.au/news/arts/epic-conclusion-to-brilliant-cycle/story-fn9d2mxu-1226205361821
Mahler2/SSO:’A thrilling valediction’
Peter McCallum reviews the opening night performance of Mahler’s Symphony No 2 ‘Resurrection’ by the Sydney Symphony Orchestra with soprano Emma Matthews, mezzo-soprano Michelle DeYoung and the Sydney Philhamonia Choirs, conducted by Vladimir Ashkenazy: http://www.smh.com.au/entertainment/music/a-rich-and-brooding-farewell-to-majestic-mahler-odyssey-20111124-1nwtb.html The performance is repeated on Friday 25th, Saturday 26th and Monday 28th November, with a live broadcast on ABC Classic…