Quotas on overseas singers: another view
Baritone Peter Coleman-Wright offers a view on the suggestion by OA artitic director Lyndon Terracini that quotas be lifted on the hiring of non-Australian singers:
Baritone Peter Coleman-Wright offers a view on the suggestion by OA artitic director Lyndon Terracini that quotas be lifted on the hiring of non-Australian singers:
Musica Viva has announced the performers in the grand finals of Strike A Chord, the very first National Chamber Music Championship for secondary school ensembles. The 12 finalist ensembles will compete streamed across Australia at 2pm AEST on Saturday 12 September, 2020. After an intense period of listening and deliberation, the jury selected the twelve…
London friends! Following its sell-out 2018 residency, the Australian Chamber Orchestra (ACO) returns to London for a second season in-residence at the Barbican Centre. The ACO is the only Australian orchestra to hold an international residency. This season marks the mid-point of the ACO’s three-year partnership with the prestigious concert venue and follows the orchestra’s…
The 2018 Grammy for Best Choral Performance goes to Philadelphia new music chamber choir The Crossing for The Fifth Century, featuring the music of the English composer Gavin Bryars (b 1943). Bryars: The Fifth Century — Donald Nally, conductor (PRISM Quartet; The Crossing) Other nominees: Handel: Messiah — Andrew Davis, conductor; Noel Edison, chorus master…
Counter tenor Nicholas Tolputt has won the 2016 IFAC Australian Singing Competition which includes the prestigious Marianne Mathy Scholarhip. Its a second triumph for the 25 year old Tasmanian who graduated from the University of Melbourne with a BMus in Voice and who now lives in Sydney. Just last month he won the 2016 City…
The Australian Haydn Ensemble has today announced that Jacqui Smith, arts manager, writer and consultant, has been appointed as its Chief Executive Officer, effective 10 July 2023.
Tom Service of The Guardian interviews brilliant 27 year old violinist Alina Ibragimova, describing her “trademark wildly imaginative playing, with its combination of unleashed energy and historical awareness”. http://www.guardian.co.uk/music/2012/oct/18/alina-ibragimova-violinist-rawness-energy