Sculthorpe Tributes
As the nation reflects on the legacy of Peter Sculthorpe, writers review his life and work:
Click here to read Vincent Plush in The Australian, Philip Jones in The Australian, Joel Meares in the Sydney Morning Herald.
As the nation reflects on the legacy of Peter Sculthorpe, writers review his life and work:
Click here to read Vincent Plush in The Australian, Philip Jones in The Australian, Joel Meares in the Sydney Morning Herald.
Shauna Beesley wins the Willgoss Choral Composition Prize for 2024, for her work, Journey, as announced by the Music Performance UNSW.
When David Robertson, the Chief Conductor and Artistic Director of the Sydney Symphony Orchestra (SSO) usually takes to the stage, he doesn’t make a sound. And, as with all conductors, his business is with his musicians as he weaves his magic and moulds them into conveying to the audience what he wants. And so it was…
“Mother says I was a dancer before I could walk She says I began to sing long before I could talk And I’ve often wondered, how did it all start? Who found out that nothing can capture a heart Like a melody can?” Thank you for the Music ABBA These lyrics by Benny Andersson and Björn Ulvaeus…
It’s mid June in Sydney, and the cast and creative team of Pinchgut Opera have gathered to commence rehearsals for the winter production of Bajazet, RV 307, (1735), an opera in three acts by Antonio Vivaldi – or is it? Bajazet is strongly enough connected with Vivaldi to be allocated an RV (Ryom-Verzeichnis) number –…
APRA AMCOS and the Australian Music Centre have announced the finalists for the 2014 Art Music Awards. The awards recognise achievement in the composition, performance, education and presentation of Australian music and encompass a range of endeavours including outstanding contributions by individuals and organisations in Australian music, music education, experimental music, jazz and regional music. The…
Checkout the ‘look’ of the Royal Opera’s production of Bellini’s Norma, opening in Palace Cinemas in Sydney this weekend. Crafted by La Fura dels Baus it is conducted by Sir Antonio Pappano with Sonya Goncheva in the title role and Jospeh Calleja as Pollione. Photo credits Bill Cooper. Images supplied.
Shauna Beesley wins the Willgoss Choral Composition Prize for 2024, for her work, Journey, as announced by the Music Performance UNSW.
When David Robertson, the Chief Conductor and Artistic Director of the Sydney Symphony Orchestra (SSO) usually takes to the stage, he doesn’t make a sound. And, as with all conductors, his business is with his musicians as he weaves his magic and moulds them into conveying to the audience what he wants. And so it was…
“Mother says I was a dancer before I could walk She says I began to sing long before I could talk And I’ve often wondered, how did it all start? Who found out that nothing can capture a heart Like a melody can?” Thank you for the Music ABBA These lyrics by Benny Andersson and Björn Ulvaeus…
It’s mid June in Sydney, and the cast and creative team of Pinchgut Opera have gathered to commence rehearsals for the winter production of Bajazet, RV 307, (1735), an opera in three acts by Antonio Vivaldi – or is it? Bajazet is strongly enough connected with Vivaldi to be allocated an RV (Ryom-Verzeichnis) number –…
APRA AMCOS and the Australian Music Centre have announced the finalists for the 2014 Art Music Awards. The awards recognise achievement in the composition, performance, education and presentation of Australian music and encompass a range of endeavours including outstanding contributions by individuals and organisations in Australian music, music education, experimental music, jazz and regional music. The…
Checkout the ‘look’ of the Royal Opera’s production of Bellini’s Norma, opening in Palace Cinemas in Sydney this weekend. Crafted by La Fura dels Baus it is conducted by Sir Antonio Pappano with Sonya Goncheva in the title role and Jospeh Calleja as Pollione. Photo credits Bill Cooper. Images supplied.
Shauna Beesley wins the Willgoss Choral Composition Prize for 2024, for her work, Journey, as announced by the Music Performance UNSW.
When David Robertson, the Chief Conductor and Artistic Director of the Sydney Symphony Orchestra (SSO) usually takes to the stage, he doesn’t make a sound. And, as with all conductors, his business is with his musicians as he weaves his magic and moulds them into conveying to the audience what he wants. And so it was…
“Mother says I was a dancer before I could walk She says I began to sing long before I could talk And I’ve often wondered, how did it all start? Who found out that nothing can capture a heart Like a melody can?” Thank you for the Music ABBA These lyrics by Benny Andersson and Björn Ulvaeus…
It’s mid June in Sydney, and the cast and creative team of Pinchgut Opera have gathered to commence rehearsals for the winter production of Bajazet, RV 307, (1735), an opera in three acts by Antonio Vivaldi – or is it? Bajazet is strongly enough connected with Vivaldi to be allocated an RV (Ryom-Verzeichnis) number –…
APRA AMCOS and the Australian Music Centre have announced the finalists for the 2014 Art Music Awards. The awards recognise achievement in the composition, performance, education and presentation of Australian music and encompass a range of endeavours including outstanding contributions by individuals and organisations in Australian music, music education, experimental music, jazz and regional music. The…
Checkout the ‘look’ of the Royal Opera’s production of Bellini’s Norma, opening in Palace Cinemas in Sydney this weekend. Crafted by La Fura dels Baus it is conducted by Sir Antonio Pappano with Sonya Goncheva in the title role and Jospeh Calleja as Pollione. Photo credits Bill Cooper. Images supplied.