the 2011 helpmanns – And the winners are….
Check out this year’s winners of The Helpmann Awards:
http://www.helpmannawards.com.au/site/_content/document/00000185-source.pdf
Check out this year’s winners of The Helpmann Awards:
http://www.helpmannawards.com.au/site/_content/document/00000185-source.pdf
Republican or monarchist, embrace your inner Anglophile and tune in to this excellent series on SBS TV. Historian Dr David Starkey narrates this 4 part series on the way in which English monarchs from Henry V were responsible for much of what we still hear and perform today. The first episode has already aired…
“The reviewers will face some thorny issues ……..which are “artistic vibrancy”, “ engagement with audiences” and “highest quality … in a financially sustainable way”. Writing in The Guardian, Donald McDonald former chief executive of Opera Australia articulates some of the difficult issues facing the national review of opera companies announced last week.
It is surely a travesty for classical music in Australia that the ABC Symphony Australia Young Performers Award is to be discontinued after being run annually for 71 years. More than just a contest, the nation’s only national fixture for emerging musicians has been operating since 1944 and has served as a platform for some of…
Deutsche Grammophon continues the widely acclaimed, Grammy winning Shostakovich Symphony cycle with Music Director Andris Nelsons and the Boston Symphony Orchestra with the release on 6 July, 2018 of a disc containing the Symphony No 4 and the Symphony no 11, subtitled The year 1905 Andris Nelsons is the Music Director of the Boston Symphony Orchestra…
This is an introduction to look out for in Sydney as conductor Carloyn Watson builds her career after two years of studies in Europe. She has a gleam in her eye. “I absolutely luuurve opera and want to do more…. it has to be the most fun you can have with your clothes on! For…
When David Robertson, the Chief Conductor and Artistic Director of the Sydney Symphony Orchestra (SSO) usually takes to the stage, he doesn’t make a sound. And, as with all conductors, his business is with his musicians as he weaves his magic and moulds them into conveying to the audience what he wants. And so it was…