Tom Service of The Guardian begins a year – long journey which explores the symphony and how it changed our world.
The word was first used in the 16th century and referred to music for various combinations of voices and instruments, like Gabrieli’s Sacrae symphoniae, 1597. The symphony as we know it today took shape in the 18th century and continues to evolve.
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Pinchgut Opera’s celebrated performance of Rameau’s masterpiece Platée, directed by Neil Armfield, premieres on 14 July, 2022 on Pinchgut At Home. Cinematically filmed and recorded at City Recital Hall in Sydney by Australian Theatre Live lastDecember, Platée features an all-Australian cast, led by Kanen Breen in an unforgettable performance as Platée. The impressive line-up includes…
Musica Viva Australia has announced that cellist Giovanni Sollima who was due to tour with mandolin player Avi Avital, has recently contracted COVID-19 and is unable to fly to Australia in time for his September concerts. Taking his place for performances in Melbourne, Newcastle, Brisbane, Lismore and in Sydney’s first concert on 26 September will be Erin Helyard (harpsichord), the Artistic Director of Pinchgut Opera and Orchestra of the Antipodes.
Gratitude and Grief ELIXIR Feat. Katie Noonan with Michael Leunig is a new album released today in which Katie Noonan and Elixir explore every nuance of Michael Leunig’s poetry. Elixir, one of Australia’s finest jazz trios led by five-time ARIA award-winning singer songwriter Katie Noonan, alongside National Jazz Award-winning Saxophonist/Composer Zac Hurren and Australia’s master of guitar Stephen Magnusson…
Teddy Tahu Rhodes and David Hobson with pianist Sharolyn Kimmorley are in the midst of a national tour presenting a programme of operatic arias and duets and popular songs. They perform in Sydney on Friday November 4th, in the Concert Hall of the Sydney Opera House. This is a review of the tour which commenced in…
“Intensity and virtuosity are the hallmarks of this orchestra”. Read the New York Times review of the Australian Chamber Orchestra’s performance with soprano Dawn Upshaw at Carnegie Hall early this week. http://www.nytimes.com/2012/05/02/arts/music/australian-chamber-orchestra-at-carnegie-hall.html?_r=1&ref=music Benefactors, a Stradivarius and The Glide build the bottom line for the ACO: http://www.smh.com.au/entertainment/music/rare-violin-lifts-aco-bottom-line-20120502-1xz60.html http://www.theaustralian.com.au/arts/acos-subscription-switch-wins-surplus/story-e6frg8n6-1226345172062
Of all the figures on stage during a concert, the conductor is perhaps the most enigmatic – commanding a great deal of attention from performers and audience and controlling the sound, whilst not actually making any music – and all the while with his or her back to the audience! This feature by Clemency Burton-Hill…