The week’s concerts in review…
The Sydney Symphony Orchestra plays Beethoven and R Strauss:
The Australian Brandenburg Orchestra’s Venice Secrets:
The Sydney Symphony Orchestra plays Beethoven and R Strauss:
The Australian Brandenburg Orchestra’s Venice Secrets:
Last week the Sydney Chamber Choir bade farewell to Paul Stanhope, its Musical Director of 10 years, performing a concert entitled Passion + Resurrection under his direction . Miguel Iglesias has sung with the Sydney Chamber Choir for 17 years. In this piece, he gives his unique insights about the performance from his perspective as a performer….
The Opera and Song Collective (TOSC) presented an appealing program of sacred vocal music curated by mezzo-soprano Jill Sullivan, under the musical direction of Simon Kenway with Jassen Rose at the pipe organ.
As Australian opera faces a national review, Opera Queensland’s artistic director Lindy Hume eyeballs the challenges facing the art form and how it has adapted, both in Australia and overseas. “…it’s not just the companies in flux, but audience appetites and art itself. This is a rare opportunity for a rethink. The best outcome would be a blueprint…
The Opera Foundation for young Australians has announced mezzo-soprano Bronwyn Douglass (28), from New South Wales as the winner of the 2017 Lady Fairfax New York Scholarship, Ms Douglass was announced as the 53rd winner of this prestigious scholarship in the presence of His Excellency General, The Hon. David Hurley,Governor of NSW, and Mrs Hurley, at a public…
Peter McCallum reviews Opera Australia’s production of Verdi’s Macbeth which opened in Sydney last Saturday. (NB the singers are not correctly identified in the image). http://www.smh.com.au/entertainment/theatre/something-wicked-this-way-comes-and-it-is-sure-to-thrill-audiences-20110911-1k407.html Murray Black’s thoughts on Opera Australia’s Lakme for The Australian http://www.theaustralian.com.au/news/arts/matthews-shines-as-lakme/story-fn9d31nx-1226134510311
It seems that this opera has a phantom that simply can’t be shaken. The Melbourne production of Wagner’s Ring Cycle scheduled for late 2013 is seeking a conductor at short notice after the designated conductor Richard Mills resigned. Productions of Wagner’s Ring are said to be jinxed – a phenomenon discussed in Stephen Fry’s excellent 2010 BBC…
Last week the Sydney Chamber Choir bade farewell to Paul Stanhope, its Musical Director of 10 years, performing a concert entitled Passion + Resurrection under his direction . Miguel Iglesias has sung with the Sydney Chamber Choir for 17 years. In this piece, he gives his unique insights about the performance from his perspective as a performer….
The Opera and Song Collective (TOSC) presented an appealing program of sacred vocal music curated by mezzo-soprano Jill Sullivan, under the musical direction of Simon Kenway with Jassen Rose at the pipe organ.
As Australian opera faces a national review, Opera Queensland’s artistic director Lindy Hume eyeballs the challenges facing the art form and how it has adapted, both in Australia and overseas. “…it’s not just the companies in flux, but audience appetites and art itself. This is a rare opportunity for a rethink. The best outcome would be a blueprint…
The Opera Foundation for young Australians has announced mezzo-soprano Bronwyn Douglass (28), from New South Wales as the winner of the 2017 Lady Fairfax New York Scholarship, Ms Douglass was announced as the 53rd winner of this prestigious scholarship in the presence of His Excellency General, The Hon. David Hurley,Governor of NSW, and Mrs Hurley, at a public…
Peter McCallum reviews Opera Australia’s production of Verdi’s Macbeth which opened in Sydney last Saturday. (NB the singers are not correctly identified in the image). http://www.smh.com.au/entertainment/theatre/something-wicked-this-way-comes-and-it-is-sure-to-thrill-audiences-20110911-1k407.html Murray Black’s thoughts on Opera Australia’s Lakme for The Australian http://www.theaustralian.com.au/news/arts/matthews-shines-as-lakme/story-fn9d31nx-1226134510311
It seems that this opera has a phantom that simply can’t be shaken. The Melbourne production of Wagner’s Ring Cycle scheduled for late 2013 is seeking a conductor at short notice after the designated conductor Richard Mills resigned. Productions of Wagner’s Ring are said to be jinxed – a phenomenon discussed in Stephen Fry’s excellent 2010 BBC…
Last week the Sydney Chamber Choir bade farewell to Paul Stanhope, its Musical Director of 10 years, performing a concert entitled Passion + Resurrection under his direction . Miguel Iglesias has sung with the Sydney Chamber Choir for 17 years. In this piece, he gives his unique insights about the performance from his perspective as a performer….
The Opera and Song Collective (TOSC) presented an appealing program of sacred vocal music curated by mezzo-soprano Jill Sullivan, under the musical direction of Simon Kenway with Jassen Rose at the pipe organ.
As Australian opera faces a national review, Opera Queensland’s artistic director Lindy Hume eyeballs the challenges facing the art form and how it has adapted, both in Australia and overseas. “…it’s not just the companies in flux, but audience appetites and art itself. This is a rare opportunity for a rethink. The best outcome would be a blueprint…
The Opera Foundation for young Australians has announced mezzo-soprano Bronwyn Douglass (28), from New South Wales as the winner of the 2017 Lady Fairfax New York Scholarship, Ms Douglass was announced as the 53rd winner of this prestigious scholarship in the presence of His Excellency General, The Hon. David Hurley,Governor of NSW, and Mrs Hurley, at a public…
Peter McCallum reviews Opera Australia’s production of Verdi’s Macbeth which opened in Sydney last Saturday. (NB the singers are not correctly identified in the image). http://www.smh.com.au/entertainment/theatre/something-wicked-this-way-comes-and-it-is-sure-to-thrill-audiences-20110911-1k407.html Murray Black’s thoughts on Opera Australia’s Lakme for The Australian http://www.theaustralian.com.au/news/arts/matthews-shines-as-lakme/story-fn9d31nx-1226134510311
It seems that this opera has a phantom that simply can’t be shaken. The Melbourne production of Wagner’s Ring Cycle scheduled for late 2013 is seeking a conductor at short notice after the designated conductor Richard Mills resigned. Productions of Wagner’s Ring are said to be jinxed – a phenomenon discussed in Stephen Fry’s excellent 2010 BBC…