Philip Glass interview
Composer Philip Glass is interviewed this week by The Guardian’s Laura Barnett. He talks about fame, inspiration and people he would like to work with.
Click here to read.
Composer Philip Glass is interviewed this week by The Guardian’s Laura Barnett. He talks about fame, inspiration and people he would like to work with.
Click here to read.
Some of the weekend’s stories and reviews of the Vienna Philharmonic Sydney concerts: Teddy Tahu Rhodes and David Hobson: http://www.theaustralian.com.au/news/arts/perfect-match/story-e6frg8n6-1226157899124 A look a Mozart’s The Magic Flute: http://www.theaustralian.com.au/news/arts/enigma-variations/story-e6frg8n6-1226157882835 The Vienna Philharmonic in Sydney: http://www.smh.com.au/entertainment/music/out-of-the-void-comes-music-of-the-universe-20111007-1ldhj.html http://www.smh.com.au/entertainment/music/homage-to-schubert-played-to-perfection-20111006-1lbk8.html
Although we can’t throw a birthday bash for Beethoven, SoundsLikeSydney is going to celebrate the 250th year of his birth with a series of insights from Sydney musicians on hearing and performing his music. This week, pianist Kathryn Selby, founding artistic director of Selby & Friends gives us her thoughts. SLS: What was your first…
Pinchgut Opera’s Spring Digital Season, via its dedicated online platform, Pinchgut At Home opens on Thursday 9 September with the much anticipated return of Pinchgut’s stunning 60-minute opera film from 2020, A Delicate Fire. A new production will be added to the Spring Digital Season each month, with October featuring the premiere of the filmed…
The late neurologist Oliver Sacks described a patient with Alzheimer’s who had little recollection of his life, but who remembered the baritone part to almost every song he had ever sung. “Music,” said Sacks, “was one of the only things that kept him grounded…” For many who were immersed in music during school years, entry…
James Eccles is busy putting together the 2014 Aurora Festival. It is his first as Artistic Director of the event and he has to wear many hats which reach well beyond his role as curator and viola player. Nonetheless, he is ‘thrilled’ to be presenting this bi-ennial celebration of New Music, centred in Sydney’s…
The Australian String Quartet (ASQ) will not continue in its current configuration beyond 2014 due to artistic differences. Along with performing an annual national concert series, the quartet is also Quartet-in-Residence at the University of Adelaide. After careful consideration, the Board of the ASQ has appointed violist Stephen King and cellist Sharon Draper to lead the quartet into the future. Chairman of the board Paul Clitheroe said “the ASQ’s most recent performances have been truly exceptional and despite…