The Australia Ensemble reviewed
Peter McCallum reviews the Australia Ensemble for the Sydney Morning Herald. (Even the SMH makes typos!)
http://www.smh.com.au/entertainment/music/review/gig/australia-ensemlbe-20120318-1vdnw.html
Peter McCallum reviews the Australia Ensemble for the Sydney Morning Herald. (Even the SMH makes typos!)
http://www.smh.com.au/entertainment/music/review/gig/australia-ensemlbe-20120318-1vdnw.html
Carmen G Bizet, libretto by Henri Meilhac and Ludovic Halévy after Prosper Mérimée’s novel (1845). Opera Australia, Joan Sutherland Theatre, Sydney Opera House, February 3rd, 2014. According to operabase.com Bizet’s Carmen ( 1873 – 4) was the second most frequently performed opera, during the worldwide 2013-14 season, with 477 performances, coming second to La traviata (577 performances). Opera…
The Marais Project’s new CD Spinning Forth is a gorgeous collection of music which showcases the viola da gamba and its ensemble partners, through dedicated pieces written during its golden age in the 17th century and through its second coming in the 20th century, championed in Australia by viola da gamba player and founding artistic…
David Vance commends Susan Graham’s ambitious programme: http://www.smh.com.au/entertainment/opera/all-stand-for-a-musical-match-made-in-heaven-20120502-1xz26.html
Halcyon and the Geist String Quartet have joined forces to record a new album, The Art of Disappearing with hybrid art production company and record label, Kammerklang. The Art of Disappearing is a poignant new song cycle by Sydney composer, Cameron Lam, with words by Queensland writer Sarah Holland-Batt, from her first book, Aria. Lam…
It was a joy to be present at the Sydney Chamber Choir’s ‘Paul Stanhope: A New Requiem’ for a celebration of exemplary Australian choral music and performance.
Basically Beethoven. Selby and friends, 13th May 2014. Pianist Kathryn Selby with violinist Susie Park and cellist Timo-Veikko Valve performed a well-balanced program of Beethoven’s chamber music with works from each of his compositional periods. The concert began with an early Piano Trio in E flat major, WoO 38, composed in 1791 just before Beethoven…