Will Tristan And Isolde Save The ENO?
Last night, the English National Opera premiered a new production of Wagner’s Tristan and Isolde
Last night, the English National Opera premiered a new production of Wagner’s Tristan and Isolde
Conducted by the ENO’s ex-music director Edward Gardner, designed by the artist Anish Kapoor and direction by Daniel Kramer – the company’s artistic director elect, the cast included Australian tenor Stuart Skelton as Tristan.
Will it be the troubled ENO’s saving grace?
Click here to read more in The Independent.
Until yesterday, Michael Kaiser was the President of the John F Kennedy Centre for the Performing Arts. After 29 years spent running 5 arts institutions he has sat at his last board meeting and writes that he will “breathe a sigh of relief” when he leaves the board room for the last time. Read his…
A fascinating feature from the New York Times on the 801 year old St Thomas Boys Choir in Leipzig and the impact of puberty on their voices. http://www.nytimes.com/2013/11/10/magazine/where-have-all-the-sopranos-gone.html?ref=music&_r=0
Corinna Da Fonseca-Wollheim of the New York Times, writes about this form of ‘high-culture hooliganism’.
The Song Company has announced the appointment of four new directors to its board positioning this leading Australian vocal ensemble to continue its artistic and operational excellence.
Ralph Myers, Artistic Director of the Belvoir Street Theatre delivers the annual Philip Parsons Memorial lecture in which he warns against the increasing corporitasion of the arts and its potential to damage the national cultural landscape. Click here to read.
Donizetti’s bel canto masterpiece Lucia di Lammermoor opens in Sydney this week. The Opera Australia production has Emma Matthews in the title role with American tenor James Valenti as Edgardo and Giorgio Caoduro as Enrico. These images give an idea of the power and drama of the opera and below them, the link to a feature about the…