The ACO with Ashkar and Dean

Harriet Cunningham reviews the ACO’s Trout Quintet/Quartet for the End of Time concert:
http://www.smh.com.au/entertainment/music/urgent-intense-and-inspirational-20120715-223zx.html

Harriet Cunningham reviews the ACO’s Trout Quintet/Quartet for the End of Time concert:
http://www.smh.com.au/entertainment/music/urgent-intense-and-inspirational-20120715-223zx.html
Garrick Ohlsson/ Musica Viva City Recital Hall, Sydney 24 February 2020 American pianist Garrick Ohlsson’s electrifying second Sydney recital for Music Viva was, in some ways, the story of the Romantic piano. Performing the music of just two 19th century composers, Chopin – with whose music Ohlsson has had a lifelong affiliation – and Brahms,…
La traviata, Opera Australia Joan Sutherland Theatre, Sydney Opera House, Tuesday 28 March 2017 Written by Deen Hamaker When Giuseppe Verdi’s La traviata premiered at Teatro La Fenice in Venice in 1853, theatre management insisted that the opera be set in the early 18th Century. Verdi had wanted his opera in portrayed in contemporary times….
Raising Sparks The Australia Ensemble John Clancy Auditorium, University of New South Wales, March 14, 2015 Raising Sparks was the first subscription concert by the Australia Ensemble for 2015. This was a delightful presentation of 20th century chamber music was performed by core members, Dimity Hall and Dene Olding (violins), Irina Morozova (viola), Julian Smiles…
Twilight Musical Dialogues: Music from Spain and South America Sally Walker, flute, Daniel Rojas-Gonzales, piano, William Carraro, violin 10 November, 2017 Adamstown Uniting Church, Newcastle, New South Wales Written by Joseph Asquith It was an inimitable night for music in the city of Newcastle, with the fifth concert of Twilight Musical Dialogues featuring music of Spain and South…
The Song Company Love in Venice The City Recital Hall, Sydney Wednesday March 14th 2012 The contemporary relevance of 16th century European music is ever real. Roland Peelman, Artistic Director of The Song Company proved this when he chose 9 madrigals composed between 1603 and 1619, from Claudio Monteverdi’s vast oeuvre, and paired them with the highly theatrical…
There is a delicious irony to an orchestral concert that begins with unaccompanied choral items. Indeed the Australian Brandenburg Orchestra’s Mozart Requiem: 100 Voices programme was well on its way before we saw the first instruments on stage. It was a night when voices took centre-stage, and those voices comprised school students culled from some…