…and another review
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
Don Giovanni, Mozart /Da Ponte Sydney Conservatorium, Opera School (Cast 1) 13 October, 2018 Music Workshop Sydney Conservatorium Written by Victoria Watson Con Opera presented a true masterpiece of Viennese Classicism, the opera Don Giovanni which followed on Mozart’s success with Le Nozze di Figaro and which was premiered in Prague in 1787. It is a notoriously challenging work…
The performance by living legend Jordi Savall and his early music ensemble Hespèrion XXI in the Concert Hall of the Sydney Opera House not only entertained and transfixed the auience, it was a masterclass in early instrumental performance and a rare opportunity to hear an expert ensemble of early instuments playing this specialist repertoire.
A Brahms Affair Omega Ensemble City Recital Hall 7 September, 2016 At the vanguard of performing live clarinet repertoire in Sydney, Omega Ensemble presented A Brahms Affair, featuring the swoon-worthy later works of Schumann, Borodin and Brahms in configurations of 2, 4 and then 5 players. Omega Ensemble co-directors clarinettist David Rowden and pianist Maria…
Three Parts Mozart Omega Ensemble, Paul Meyer, clarinet City Recital Hall November 3, 2016 Written By Deen Hamaker The music of Wolfgang Amadeus Mozart is such a fundamental part of the classical repertoire it is easy to forget that he died when he was just 35. He was an incredibly prolific, composing over 600…
Possibly the most challenging aspect of writing about my evening at Giasone, Pinchgut Opera’s 2013 production, has been to decide which of the many facets of this beautifully integrated production was the most memorable – was it the casting or the singing? The musical direction or the orchestra? Was it was the inventive staging…
The Australian Brandenburg Orchestra’s Vivaldi Unwired programme, directed by Paul Dyer, AO opened at the City Recital Hall last night with guest artists violinist Brendan Joyce and saxophonist Christina Leonard. It was an entertaining evening of convention and innovation. Opening the concert with two cornerstones of the Baroque repertoire played in conventional style on period…
Don Giovanni, Mozart /Da Ponte Sydney Conservatorium, Opera School (Cast 1) 13 October, 2018 Music Workshop Sydney Conservatorium Written by Victoria Watson Con Opera presented a true masterpiece of Viennese Classicism, the opera Don Giovanni which followed on Mozart’s success with Le Nozze di Figaro and which was premiered in Prague in 1787. It is a notoriously challenging work…
The performance by living legend Jordi Savall and his early music ensemble Hespèrion XXI in the Concert Hall of the Sydney Opera House not only entertained and transfixed the auience, it was a masterclass in early instrumental performance and a rare opportunity to hear an expert ensemble of early instuments playing this specialist repertoire.
A Brahms Affair Omega Ensemble City Recital Hall 7 September, 2016 At the vanguard of performing live clarinet repertoire in Sydney, Omega Ensemble presented A Brahms Affair, featuring the swoon-worthy later works of Schumann, Borodin and Brahms in configurations of 2, 4 and then 5 players. Omega Ensemble co-directors clarinettist David Rowden and pianist Maria…
Three Parts Mozart Omega Ensemble, Paul Meyer, clarinet City Recital Hall November 3, 2016 Written By Deen Hamaker The music of Wolfgang Amadeus Mozart is such a fundamental part of the classical repertoire it is easy to forget that he died when he was just 35. He was an incredibly prolific, composing over 600…
Possibly the most challenging aspect of writing about my evening at Giasone, Pinchgut Opera’s 2013 production, has been to decide which of the many facets of this beautifully integrated production was the most memorable – was it the casting or the singing? The musical direction or the orchestra? Was it was the inventive staging…
The Australian Brandenburg Orchestra’s Vivaldi Unwired programme, directed by Paul Dyer, AO opened at the City Recital Hall last night with guest artists violinist Brendan Joyce and saxophonist Christina Leonard. It was an entertaining evening of convention and innovation. Opening the concert with two cornerstones of the Baroque repertoire played in conventional style on period…
Don Giovanni, Mozart /Da Ponte Sydney Conservatorium, Opera School (Cast 1) 13 October, 2018 Music Workshop Sydney Conservatorium Written by Victoria Watson Con Opera presented a true masterpiece of Viennese Classicism, the opera Don Giovanni which followed on Mozart’s success with Le Nozze di Figaro and which was premiered in Prague in 1787. It is a notoriously challenging work…
The performance by living legend Jordi Savall and his early music ensemble Hespèrion XXI in the Concert Hall of the Sydney Opera House not only entertained and transfixed the auience, it was a masterclass in early instrumental performance and a rare opportunity to hear an expert ensemble of early instuments playing this specialist repertoire.
A Brahms Affair Omega Ensemble City Recital Hall 7 September, 2016 At the vanguard of performing live clarinet repertoire in Sydney, Omega Ensemble presented A Brahms Affair, featuring the swoon-worthy later works of Schumann, Borodin and Brahms in configurations of 2, 4 and then 5 players. Omega Ensemble co-directors clarinettist David Rowden and pianist Maria…
Three Parts Mozart Omega Ensemble, Paul Meyer, clarinet City Recital Hall November 3, 2016 Written By Deen Hamaker The music of Wolfgang Amadeus Mozart is such a fundamental part of the classical repertoire it is easy to forget that he died when he was just 35. He was an incredibly prolific, composing over 600…
Possibly the most challenging aspect of writing about my evening at Giasone, Pinchgut Opera’s 2013 production, has been to decide which of the many facets of this beautifully integrated production was the most memorable – was it the casting or the singing? The musical direction or the orchestra? Was it was the inventive staging…
The Australian Brandenburg Orchestra’s Vivaldi Unwired programme, directed by Paul Dyer, AO opened at the City Recital Hall last night with guest artists violinist Brendan Joyce and saxophonist Christina Leonard. It was an entertaining evening of convention and innovation. Opening the concert with two cornerstones of the Baroque repertoire played in conventional style on period…